Josh D'Amaro's rise to the top at The Walt Disney Company can be attributed to his strategic thinking in a rapidly shifting media landscape. In stark contrast to Dana Walden, D'Amaro brings a unique set of skills that have resonated with Disney executives and employees alike.
While Walden is known for her sharp elbows, earning her the nickname "the last top Fox executive still standing at Disney," D'Amaro's ascension may be more about his ability to navigate complex industry dynamics. With his experiences in operating divisions outside of LA, particularly within Disney's Experiences division, which has recently posted record profits, it is clear that D'Amaro has proven himself to be a savvy operator.
D'Amaro's appointment as CEO has been met with widespread approval from industry insiders and executives at rival studios. Even top agents and creatives in the community have come out in support of his appointment, citing his intelligence, strategic thinking, and ability to connect with talent.
On the other hand, Walden, who was considered the frontrunner for the CEO job, has been less well-received by some corners of the industry. Her management style is seen as more hands-off compared to D'Amaro's approach, which is viewed as more collaborative and people-centric.
While Disney's board has given Walden added oversight of film studio operations, many are left wondering whether her role comes with real influence or is simply symbolic. The last time Disney attempted to consolidate film and TV operations ended in disaster, with Chapek's ineffectual management style stripping creative leaders of their spending power.
As the industry continues to evolve, it will be interesting to see how D'Amaro navigates these challenges and whether his appointment will ultimately prove to be a turning point for The Walt Disney Company.
While Walden is known for her sharp elbows, earning her the nickname "the last top Fox executive still standing at Disney," D'Amaro's ascension may be more about his ability to navigate complex industry dynamics. With his experiences in operating divisions outside of LA, particularly within Disney's Experiences division, which has recently posted record profits, it is clear that D'Amaro has proven himself to be a savvy operator.
D'Amaro's appointment as CEO has been met with widespread approval from industry insiders and executives at rival studios. Even top agents and creatives in the community have come out in support of his appointment, citing his intelligence, strategic thinking, and ability to connect with talent.
On the other hand, Walden, who was considered the frontrunner for the CEO job, has been less well-received by some corners of the industry. Her management style is seen as more hands-off compared to D'Amaro's approach, which is viewed as more collaborative and people-centric.
While Disney's board has given Walden added oversight of film studio operations, many are left wondering whether her role comes with real influence or is simply symbolic. The last time Disney attempted to consolidate film and TV operations ended in disaster, with Chapek's ineffectual management style stripping creative leaders of their spending power.
As the industry continues to evolve, it will be interesting to see how D'Amaro navigates these challenges and whether his appointment will ultimately prove to be a turning point for The Walt Disney Company.