A struggling actor's dream gig turns into a nightmare when he starts to suspect there are other ghosts lurking around Paragon Hall. Joe, played by George Naylor, has been hired by handsome stranger David to simply circle the grounds of the country estate as part of an elaborate ruse, with the aim of boosting his income and flexing his acting muscles.
The tour's ThickSkin production seamlessly blends elements of classic 19th-century Gothic literature with modern horror film thrills. The story unfolds largely through Joe's narration, punctuated by Paul Hilton's omniscient voiceover, whose atmospheric eloquence provides a rich backdrop for the eerie setting of Paragon Hall.
Award-winning writer Tim Foley's script delivers some truly spine-tingling moments, thanks in no small part to Neil Bettles' deft direction and Pete Malkin's innovative sound design. The stage features an impressive combination of projection, lighting, and video design, with bare tree trunks that shift and shake like shadows on the screen.
But just when you think things are getting spooky enough, more twists and turns come into play. The entity at the center of the mystery becomes increasingly unsettling, drawing comparisons to a Pan-like mythology.
However, as the story hurtles towards its climax, revelations become rapid-fire and it's hard to keep pace with everything that's happening on stage. Themes such as class privilege and exploitation are glossed over, perhaps to make way for more thrills, spills, and genuinely spine-tingling moments.
Despite some of these plot threads feeling a bit underdeveloped, the show is an absolute treat, especially those thrilling sequences that stay with you long after the curtain falls. If you're looking for something that will keep you on the edge of your seat – and maybe even follow you home – then It Walks Around the House at Night is definitely worth a look-see.
The tour's ThickSkin production seamlessly blends elements of classic 19th-century Gothic literature with modern horror film thrills. The story unfolds largely through Joe's narration, punctuated by Paul Hilton's omniscient voiceover, whose atmospheric eloquence provides a rich backdrop for the eerie setting of Paragon Hall.
Award-winning writer Tim Foley's script delivers some truly spine-tingling moments, thanks in no small part to Neil Bettles' deft direction and Pete Malkin's innovative sound design. The stage features an impressive combination of projection, lighting, and video design, with bare tree trunks that shift and shake like shadows on the screen.
But just when you think things are getting spooky enough, more twists and turns come into play. The entity at the center of the mystery becomes increasingly unsettling, drawing comparisons to a Pan-like mythology.
However, as the story hurtles towards its climax, revelations become rapid-fire and it's hard to keep pace with everything that's happening on stage. Themes such as class privilege and exploitation are glossed over, perhaps to make way for more thrills, spills, and genuinely spine-tingling moments.
Despite some of these plot threads feeling a bit underdeveloped, the show is an absolute treat, especially those thrilling sequences that stay with you long after the curtain falls. If you're looking for something that will keep you on the edge of your seat – and maybe even follow you home – then It Walks Around the House at Night is definitely worth a look-see.