The article discusses the 2025 edition of Paris Photo, one of the most prestigious photography fairs in the world. The author attended the fair and had the opportunity to speak with various exhibitors and photographers.
One of the main themes that emerged from the fair was the increasing interest in vintage practices among modern-day photographers. Hans P. Kraus Jr., an authority on 19th-century photography, noted that there has been a significant increase in interest in daguerreotypy, a technique used during the 19th century.
The author also spoke with Solienne, the first A.I. agent to exhibit at Paris Photo, and Kristi Coronado, her human collaborator. Coronado explained that she trained Solienne using machine learning algorithms, allowing her to generate images that are indistinguishable from those created by humans.
Coronado argued that the collaboration between humans and machines is the future of photography, as it allows for new forms of creative expression and innovation. She emphasized that A.I. agents like Solienne are not meant to replace human photographers but rather to augment their abilities and explore new possibilities.
The author also had the opportunity to speak with Daniele Genadry, whose work explores the relationship between memory, fragmentation, and conflict in landscapes shaped by war. Genadry's photographs are characterized by a collage-like quality, as he stitches together multiple prints of layered mountain ridges to create intricate and complex images.
Throughout the fair, the author noted that there was a sense of excitement and curiosity about the future of photography. Many attendees were eager to see what new innovations and discoveries would emerge from the intersection of technology and art.
The article concludes by highlighting the importance of Paris Photo as a platform for showcasing the latest trends and developments in the field of photography. As the author noted, "the relationship between past and present is not straightforwardly linear," and the fair serves as a testament to the ongoing evolution of photography as an art form.
Some key quotes from the article include:
* "people consider A.I. a tool, just like they did when cameras first came out: it was a tool to capture something."
* "I'm showing another way of creating."
* "there are quite a number of modern-day daguerreotypists who are using the technique today"
* "the collaboration between humans and machines is the future of photography"
* "A.I. agents like Solienne are not meant to replace human photographers but rather to augment their abilities and explore new possibilities"
Overall, the article provides a thoughtful and nuanced exploration of the 2025 edition of Paris Photo, highlighting the ways in which technology and innovation are shaping the future of photography.
One of the main themes that emerged from the fair was the increasing interest in vintage practices among modern-day photographers. Hans P. Kraus Jr., an authority on 19th-century photography, noted that there has been a significant increase in interest in daguerreotypy, a technique used during the 19th century.
The author also spoke with Solienne, the first A.I. agent to exhibit at Paris Photo, and Kristi Coronado, her human collaborator. Coronado explained that she trained Solienne using machine learning algorithms, allowing her to generate images that are indistinguishable from those created by humans.
Coronado argued that the collaboration between humans and machines is the future of photography, as it allows for new forms of creative expression and innovation. She emphasized that A.I. agents like Solienne are not meant to replace human photographers but rather to augment their abilities and explore new possibilities.
The author also had the opportunity to speak with Daniele Genadry, whose work explores the relationship between memory, fragmentation, and conflict in landscapes shaped by war. Genadry's photographs are characterized by a collage-like quality, as he stitches together multiple prints of layered mountain ridges to create intricate and complex images.
Throughout the fair, the author noted that there was a sense of excitement and curiosity about the future of photography. Many attendees were eager to see what new innovations and discoveries would emerge from the intersection of technology and art.
The article concludes by highlighting the importance of Paris Photo as a platform for showcasing the latest trends and developments in the field of photography. As the author noted, "the relationship between past and present is not straightforwardly linear," and the fair serves as a testament to the ongoing evolution of photography as an art form.
Some key quotes from the article include:
* "people consider A.I. a tool, just like they did when cameras first came out: it was a tool to capture something."
* "I'm showing another way of creating."
* "there are quite a number of modern-day daguerreotypists who are using the technique today"
* "the collaboration between humans and machines is the future of photography"
* "A.I. agents like Solienne are not meant to replace human photographers but rather to augment their abilities and explore new possibilities"
Overall, the article provides a thoughtful and nuanced exploration of the 2025 edition of Paris Photo, highlighting the ways in which technology and innovation are shaping the future of photography.
i think its dope how ppl r pushing boundaries with ai & human collab 
solienne is fire 
daniele genadry's collage pics r mindblowing 
the intersection of tech & art is where its at 
paris photo is def a platform 4 innovators 
gotta love how its all about augmenting each other's skills instead of replacein each other 
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. I think that's a crucial distinction to make, especially when it comes to exploring new possibilities in art and photography. The future of photography is indeed uncertain, but one thing is clear: the intersection of technology and creativity will continue to shape the medium in exciting ways 
I mean, it's cool that vintage practices are getting some love at Paris Photo this year 
It's like everyone's just rehashing old ideas and trying to make them "cool" again 
. And don't even get me started on the A.I. agents... I mean, I know Solienne is supposed to be some kind of game-changer for photography 
It's all about the benjamins, folks... 
I was like wow those guys can create anything from a gourmet grilled cheese to an actual full-on Korean BBQ truck 
and it got me thinking have you ever tried making a good burger from scratch? I mean it's not just about throwing some patties between a bun it's an art form...
they have so many sick exhibits this year! like did u know that vintage daguerreotypy is making a comeback? 
. And omg, meeting Solienne and Kristi Coronado was mind-blowing! It's crazy how far A.I. has come and I love that they're not trying to replace humans but rather collaborate with them 
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. Paris Photo is more than just a platform for showcasing trends, it's a celebration of art and innovation 
. Can't wait to see what comes out of this intersection of tech and photography! 
It's clear that tech is changing the game for photographers, but at the end of the day, it's still about telling a story or capturing a moment that resonates with people. Let's see how long this human-AI fusion thing sticks around... 
paris photo 2025 was like totally lit!!! i'm low-key obsessed w/ the vintage practices trend rn 
it's so exciting to see where tech & art will collide next! 