A Visceral Tale of Witchcraft: "The Wax Child" Review
Olga Ravn's latest novel is a deeply unsettling exploration of witchcraft, femininity, and the human condition. Set against the dark backdrop of 17th-century Denmark, where women were accused of witchcraft with alarming regularity, this book delves into the mysterious world of magical practices that existed in tandem with Christianity.
At its core, "The Wax Child" is a thought-provoking tale that complicates our assumptions about charges of witchcraft. By focusing on Christenze Krukow, a real-life Danish noblewoman accused of witchcraft three times during her lifetime, Ravn humanizes the often-maligned figures of history's most demonized women.
Through the narrative voice of a wax doll who witnesses and absorbs the events unfolding around it, Ravn masterfully weaves together threads of magical realism, folkloric tales, and psychological insight. The novel's use of spells and incantations from "black books" adds a layer of authenticity to the story, making the fantastical feel eerily plausible.
One of the book's greatest strengths lies in its portrayal of everyday magics that were deemed threatening by the authorities: the camaraderie between women, their shared laughter, love, and support networks. These quiet moments of connection serve as a powerful counterpoint to the public narrative of witch hunts, which often demonized these very same women.
Ravn's prose is evocative and visceral, conjuring an atmosphere that is both beautiful and creepy. The writing is precise, with a keen attention to detail that immerses the reader in the world of 17th-century Denmark. While some may find certain aspects of the narrative elliptical or baffling, this can be seen as a deliberate choice, echoing the way magic operates in the story – a subtle yet powerful force that defies neat explanations.
Ultimately, "The Wax Child" is a novel that demands attention and rewards it with a richly textured exploration of femininity, power, and the human condition. It is a testament to Ravn's skill as a writer that she can craft a narrative that feels both deeply personal and universally relevant, offering a nuanced understanding of a dark period in history through the lens of magical realism.
Olga Ravn's latest novel is a deeply unsettling exploration of witchcraft, femininity, and the human condition. Set against the dark backdrop of 17th-century Denmark, where women were accused of witchcraft with alarming regularity, this book delves into the mysterious world of magical practices that existed in tandem with Christianity.
At its core, "The Wax Child" is a thought-provoking tale that complicates our assumptions about charges of witchcraft. By focusing on Christenze Krukow, a real-life Danish noblewoman accused of witchcraft three times during her lifetime, Ravn humanizes the often-maligned figures of history's most demonized women.
Through the narrative voice of a wax doll who witnesses and absorbs the events unfolding around it, Ravn masterfully weaves together threads of magical realism, folkloric tales, and psychological insight. The novel's use of spells and incantations from "black books" adds a layer of authenticity to the story, making the fantastical feel eerily plausible.
One of the book's greatest strengths lies in its portrayal of everyday magics that were deemed threatening by the authorities: the camaraderie between women, their shared laughter, love, and support networks. These quiet moments of connection serve as a powerful counterpoint to the public narrative of witch hunts, which often demonized these very same women.
Ravn's prose is evocative and visceral, conjuring an atmosphere that is both beautiful and creepy. The writing is precise, with a keen attention to detail that immerses the reader in the world of 17th-century Denmark. While some may find certain aspects of the narrative elliptical or baffling, this can be seen as a deliberate choice, echoing the way magic operates in the story – a subtle yet powerful force that defies neat explanations.
Ultimately, "The Wax Child" is a novel that demands attention and rewards it with a richly textured exploration of femininity, power, and the human condition. It is a testament to Ravn's skill as a writer that she can craft a narrative that feels both deeply personal and universally relevant, offering a nuanced understanding of a dark period in history through the lens of magical realism.