Tala Madani: Daughter BWASM review – filthy pot shots from a bad mum and her AI offspring

Tala Madani's latest exhibition, "Daughter BWASM", is a scathing critique of societal norms and expectations, particularly those surrounding motherhood and technology. The artist has adopted an AI-generated robot as her new child, symbolizing the impossibility of perfection in the face of human imperfection.

Through a series of ultra-precise screen prints, Madani depicts Shit Mom, her AI daughter, with gleaming mechanical perfection, yet constantly smeared with brown marks that represent the artist's own feces. This subversive use of AI technology serves as a commentary on the way culture and history have treated women like machines, reducing them to mere automatons for childbirth and care.

The exhibition is a clever send-up of societal norms, with Madani poking fun at our expectations around motherhood, beauty, and technology. The artist's use of scatological humor as rebellion is both funny and biting, as she spurns norms and expectations in favor of her own brand of subversive satire.

One cannot help but think of the pioneering work of Francis Picabia and Marcel Duchamp, whose early modernist ideas about machines and women have been recontextualized by Madani. From Picabia's 1916 painting "Daughter Born Without a Mother" to Duchamp's iconic "Nude Descending a Staircase", Madani is drawing inspiration from the masters of anti-beauty and avant-garde art.

However, some may find the AI theme stretched too thin across the entire exhibition. The animated films accompanying the show lack the same level of impact as the paintings, with the AI idea feeling somewhat over-explained.

Despite this, "Daughter BWASM" is a powerful statement on the societal norms that Madani so deftly subverts. With its scatological humor, subversive satire, and clever use of technology, this exhibition is not to be missed for anyone interested in contemporary art and social commentary.

I don’t usually comment but I think Tala Madani's exhibition "Daughter BWASM" is a wild ride . Like, it's so bold and unapologetic, you can't help but laugh and cringe at the same time . The AI-generated robot as her new child? Genius ! And that scatological humor? Spot on . I mean, who says art has to be boring? Madani is pushing boundaries and challenging our expectations, and I'm here for it .

But yeah, maybe the animated films could've been more impactful . Still, "Daughter BWASM" is a must-see for anyone interested in contemporary art and social commentary . It's not for everyone, but if you're down to think outside the box (or uterus ) then this exhibition is a wild ride you won't want to miss .

I'm loving how Tala Madani is pushing boundaries with her new exhibit! The way she's using AI as a symbol of the impossible pursuit of perfection is so thought-provoking. And I mean, who hasn't felt like they're being held to these unrealistic expectations around motherhood and beauty? It's like Madani is saying, "Hey, let's take a step back and look at all the weird stuff we've been taught to believe are 'normal'."

I also appreciate how she's using humor to make her point. I mean, feces on her AI daughter's face? That's some next-level satire right there! And it makes me think of those early modernist artists like Picabia and Duchamp who were all about challenging the status quo.

One thing that did strike me as a bit odd was how some parts of the exhibit felt a bit...over-explained. Like, I get it, AI is cool, but do we really need an animated film to tell us that? Still, overall, "Daughter BWASM" is a must-see for anyone interested in contemporary art and social commentary. It's like Madani is throwing a wrench into the works of societal norms and I am HERE. FOR. IT!

I think it's super interesting how Tala Madani uses AI as a way to comment on societal norms around motherhood and beauty . It's like she's taking the expectations placed on women and turning them into something absurdly literal - an AI 'daughter' that's literally perfect but also kinda gross . I love how she incorporates humor into the work, it's not just a dry commentary on societal norms, but actually funny too . The connection to earlier art movements like modernism is cool too, especially Francis Picabia and Marcel Duchamp - they were all about challenging traditional beauty standards. Maybe the animated films could've been more impactful, but overall I think "Daughter BWASM" is a strong statement on the absurdity of societal expectations

I think Tala Madani's new exhibition is a super thought-provoking piece that's pushing the boundaries of what we consider 'acceptable' in art . I mean, who says you can't have a robot as a child? It's like she's saying we're all just human machines, expected to conform to societal norms . And I love how she's using humor to make her point - scatological jokes can be pretty cringeworthy, but in this context, they're kinda genius .

I think it's also rad that she's drawing inspiration from the likes of Picabia and Duchamp, two true pioneers of anti-beauty and avant-garde art . They paved the way for people like Madani to challenge our perceptions and make us question what we consider 'beautiful' or 'acceptable'. Sure, some parts of the exhibition might feel a bit over-explained, but overall, I think it's a masterclass in subversive satire . If you're into contemporary art and social commentary, you gotta check this out!

I'm LIVING for Tala Madani's new exhibition! She's killing the game with her AI robot daughter, Shit Mom... I mean, what a genius move! The way she uses scatological humor to poke fun at societal norms is pure comedy gold . And can we talk about how dope it is that she's drawing inspiration from those art pioneers like Francis Picabia and Marcel Duchamp? Their vibes are totally still relevant today.

But, let's get real, the animated films could've been a bit more impactful, imo. Still, this exhibition is giving me LIFE and I'm not even sorry to say that . If you're into contemporary art and social commentary, you gotta check it out ASAP!