"Reunion of Love and Loss: Clive Owen and Saskia Reeves Bring Close My Eyes to Life in End"
David Eldridge's trilogy, which concludes with End at London's National Theatre, is a poignant exploration of love, loss, and the human experience. The play reunites Clive Owen and Saskia Reeves, who previously starred together in Stephen Poliakoff's 1991 film Close My Eyes. As they navigate Alfie's cancer diagnosis, their on-screen chemistry still crackles, making their reunion all the more emotional.
Inspired by Poliakoff's 1975 play Hitting Town, Close My Eyes tells a haunting tale of doomed love between Natalie (Reeves) and her younger brother Richard (Owen). The film's explicit depiction of an incestuous affair caused a tabloid frenzy upon its release. Eldridge's End expertly captures the same sense of foreboding, as Alfie and Julie confront their own mortality.
The memory of Close My Eyes lingers throughout End, particularly in scenes where Owen and Reeves' characters are consumed by passion. Their dance was a highlight of the original film, with Natalie (Reeves) insisting Richard (Owen) stay on one side of the room to subdue their desire for each other. In End, this spark is still palpable, but it's tempered by the knowledge that Alfie's illness will eventually extinguish it.
Eldridge cleverly exploits the actors' previous roles, making their characters feel more nuanced and authentic. When Alfie reminisces about his carefree past, Owen's screen presence – from Chancer in TV shows like Band of Gold to smooth-talking suave – lingers, underscoring the dishevelment of his current state.
The parallels between Close My Eyes and End are striking. Both play with the blurred lines between love and siblinghood, making it impossible to untangle their complex relationships. Eldridge's writing masterfully navigates these paradoxes, creating a poignant exploration of the human experience.
In this powerful new play, Owen and Reeves continue to weave an effortless spell on stage. They bring their characters' vulnerabilities, ease with each other, love, and fear into sharp focus, infusing End with humor, melancholy, and authenticity.
This reunion is all the more compelling due to Eldridge's expert handling of the actors' past roles. The end result is a play that feels both familiar – as if you've seen their previous performances before – and fresh, its emotional resonance heightened by the weight of Clive Owen and Saskia Reeves' shared screen history.
End at the National Theatre, London, runs until 17 January.
David Eldridge's trilogy, which concludes with End at London's National Theatre, is a poignant exploration of love, loss, and the human experience. The play reunites Clive Owen and Saskia Reeves, who previously starred together in Stephen Poliakoff's 1991 film Close My Eyes. As they navigate Alfie's cancer diagnosis, their on-screen chemistry still crackles, making their reunion all the more emotional.
Inspired by Poliakoff's 1975 play Hitting Town, Close My Eyes tells a haunting tale of doomed love between Natalie (Reeves) and her younger brother Richard (Owen). The film's explicit depiction of an incestuous affair caused a tabloid frenzy upon its release. Eldridge's End expertly captures the same sense of foreboding, as Alfie and Julie confront their own mortality.
The memory of Close My Eyes lingers throughout End, particularly in scenes where Owen and Reeves' characters are consumed by passion. Their dance was a highlight of the original film, with Natalie (Reeves) insisting Richard (Owen) stay on one side of the room to subdue their desire for each other. In End, this spark is still palpable, but it's tempered by the knowledge that Alfie's illness will eventually extinguish it.
Eldridge cleverly exploits the actors' previous roles, making their characters feel more nuanced and authentic. When Alfie reminisces about his carefree past, Owen's screen presence – from Chancer in TV shows like Band of Gold to smooth-talking suave – lingers, underscoring the dishevelment of his current state.
The parallels between Close My Eyes and End are striking. Both play with the blurred lines between love and siblinghood, making it impossible to untangle their complex relationships. Eldridge's writing masterfully navigates these paradoxes, creating a poignant exploration of the human experience.
In this powerful new play, Owen and Reeves continue to weave an effortless spell on stage. They bring their characters' vulnerabilities, ease with each other, love, and fear into sharp focus, infusing End with humor, melancholy, and authenticity.
This reunion is all the more compelling due to Eldridge's expert handling of the actors' past roles. The end result is a play that feels both familiar – as if you've seen their previous performances before – and fresh, its emotional resonance heightened by the weight of Clive Owen and Saskia Reeves' shared screen history.
End at the National Theatre, London, runs until 17 January.