Understudies Plot Their Own Version of Julius Caesar in Petty Men Review
A dimly lit dressing room with a pot plant on its deathbed and a bucket to catch the drips is the reality faced by understudies in a West End production of Julius Caesar. These players, often overlooked and underappreciated, may not have their own starring roles but bring an air of authenticity to the show.
As the 100th performance approaches, these "second-rate" actors take center stage with party hats, microwave popcorn, and a rehearsed run-through of the play they'll likely never deliver for real. Their story is one of unfulfilled potential, stuck in a perpetual state of waiting for their moment to shine.
In this understudy-led production, Petty Men, directed by Júlia Levai, we see a different side of Shakespeare's iconic play. The focus shifts from the politics and power struggles that drive the original narrative to the personal ambitions and relationships between the characters.
Adam Goodbody's Understudy Cassius, with his impeccable line delivery and preparedness, brings a sense of intensity to the role, while John Chisham's slouching colleague injects a touch of humor. Their dynamic serves as a microcosm for the fragile bond between Brutus and Cassius, which begins to fray as they navigate their rivalry.
The production itself is not without its flaws, with some critics labeling it "huff" – lacking in substance and depth. However, when given the chance, these understudies shine, offering a unique perspective on Shakespeare's classic tale.
Petty Men may feel like a narrow reading of Julius Caesar, focusing primarily on personal ambition rather than political conviction. Yet, this intimate portrayal highlights the human cost of power struggles and the consequences of our actions. As the play unfolds, it becomes clear that these characters' fates are inextricably linked to the fate of Rome itself.
Ultimately, Petty Men is a thought-provoking exploration of what it means to be an understudy, a supporting player in life's grand drama. By shedding light on this often-overlooked aspect of theatre, the production raises important questions about identity, purpose, and the true meaning of success.
A dimly lit dressing room with a pot plant on its deathbed and a bucket to catch the drips is the reality faced by understudies in a West End production of Julius Caesar. These players, often overlooked and underappreciated, may not have their own starring roles but bring an air of authenticity to the show.
As the 100th performance approaches, these "second-rate" actors take center stage with party hats, microwave popcorn, and a rehearsed run-through of the play they'll likely never deliver for real. Their story is one of unfulfilled potential, stuck in a perpetual state of waiting for their moment to shine.
In this understudy-led production, Petty Men, directed by Júlia Levai, we see a different side of Shakespeare's iconic play. The focus shifts from the politics and power struggles that drive the original narrative to the personal ambitions and relationships between the characters.
Adam Goodbody's Understudy Cassius, with his impeccable line delivery and preparedness, brings a sense of intensity to the role, while John Chisham's slouching colleague injects a touch of humor. Their dynamic serves as a microcosm for the fragile bond between Brutus and Cassius, which begins to fray as they navigate their rivalry.
The production itself is not without its flaws, with some critics labeling it "huff" – lacking in substance and depth. However, when given the chance, these understudies shine, offering a unique perspective on Shakespeare's classic tale.
Petty Men may feel like a narrow reading of Julius Caesar, focusing primarily on personal ambition rather than political conviction. Yet, this intimate portrayal highlights the human cost of power struggles and the consequences of our actions. As the play unfolds, it becomes clear that these characters' fates are inextricably linked to the fate of Rome itself.
Ultimately, Petty Men is a thought-provoking exploration of what it means to be an understudy, a supporting player in life's grand drama. By shedding light on this often-overlooked aspect of theatre, the production raises important questions about identity, purpose, and the true meaning of success.