For over three decades, musicologist Peter Wollny had been driven by an "inner duty" to uncover the truth about two enigmatic organ compositions attributed to Johann Sebastian Bach. His obsession began in 1992, when he stumbled upon the scores while researching at a dusty library in Brussels.
Wollny's hunch was initially dismissed as mere speculation, but he couldn't shake off the feeling that these pieces were indeed by Bach. He devoted himself to studying the handwriting, pouring over minute details of the notation. The task became an all-consuming passion, with Wollny spending countless hours poring over the scores, comparing them to Bach's known works.
The breakthrough came in 2012 when a colleague, Bernd Koska, discovered a letter from Salomon GΓΌnther John, which matched the handwriting of the Brussels compositions. However, the identification was far from certain. Wollny and Koska wrestled with doubts, questioning whether John, who had apprenticed under Bach, might have written the works himself.
The final piece of the puzzle fell into place in 2023 when a court document dated 1716, lost during World War II, was rediscovered. The handwriting matched that of the Brussels compositions with absolute certainty, finally bringing closure to Wollny's long quest.
Wollny acknowledges that advances in artificial intelligence might make this kind of work possible for others in the future. However, he remains committed to his craft, saying, "Perhaps artificial intelligence means that what I spent 35 years on will in the future be done in a couple of days or hours."
Wollny's hunch was initially dismissed as mere speculation, but he couldn't shake off the feeling that these pieces were indeed by Bach. He devoted himself to studying the handwriting, pouring over minute details of the notation. The task became an all-consuming passion, with Wollny spending countless hours poring over the scores, comparing them to Bach's known works.
The breakthrough came in 2012 when a colleague, Bernd Koska, discovered a letter from Salomon GΓΌnther John, which matched the handwriting of the Brussels compositions. However, the identification was far from certain. Wollny and Koska wrestled with doubts, questioning whether John, who had apprenticed under Bach, might have written the works himself.
The final piece of the puzzle fell into place in 2023 when a court document dated 1716, lost during World War II, was rediscovered. The handwriting matched that of the Brussels compositions with absolute certainty, finally bringing closure to Wollny's long quest.
Wollny acknowledges that advances in artificial intelligence might make this kind of work possible for others in the future. However, he remains committed to his craft, saying, "Perhaps artificial intelligence means that what I spent 35 years on will in the future be done in a couple of days or hours."