Fremantle's P&O Hotel has stood vacant for decades, its grandeur and history slowly being consumed by time. Yet, this former sailors' bar and hotel is set to be reborn as a hub of artistic expression. The Fremantle Biennale brings together over 40 musicians, poets, painters, and multimedia artists who have transformed the upper floor into an immersive maze of performances and installations.
The brainchild of local artist Danielle Caruana AKA Mama Kin and Tom Mùller, Room Service is a bold experiment in reclaiming abandoned spaces. For three weeks, the hotel's upstairs rooms were home to a diverse group of creatives, each with their own unique vision for the space. From Iain Grandage and Mel Robinson's haunting cello duet set against the backdrop of an oceanic sound installation, to Whadjuk Balladong and Zali Morgan's powerful exploration of colonial history, every piece was a poignant reflection on Fremantle's complex past.
Artist Guy Louden turned his room into a playable climate dystopia, with a jetski game that reflects the "split vision" of our society – knowing catastrophe is coming while still pursuing growth. Meanwhile, architect Nic Brunsdon created a meditative pause space, stripping back to imagine what stood here long before the hotel – the trees, soil and coastal ecology that once shaped this part of Fremantle.
As visitors explore Room Service, they are invited to enter spaces that are both intimate and vast, where art and performance come together in unexpected ways. The installation is a testament to the power of creative vision and collaboration, highlighting the potential for empty spaces to become vibrant hubs of cultural expression.
Room Service runs from 29-30 November at P&O hotel, 25 High Street, Fremantle, as part of the Fremantle Biennale.
The brainchild of local artist Danielle Caruana AKA Mama Kin and Tom Mùller, Room Service is a bold experiment in reclaiming abandoned spaces. For three weeks, the hotel's upstairs rooms were home to a diverse group of creatives, each with their own unique vision for the space. From Iain Grandage and Mel Robinson's haunting cello duet set against the backdrop of an oceanic sound installation, to Whadjuk Balladong and Zali Morgan's powerful exploration of colonial history, every piece was a poignant reflection on Fremantle's complex past.
Artist Guy Louden turned his room into a playable climate dystopia, with a jetski game that reflects the "split vision" of our society – knowing catastrophe is coming while still pursuing growth. Meanwhile, architect Nic Brunsdon created a meditative pause space, stripping back to imagine what stood here long before the hotel – the trees, soil and coastal ecology that once shaped this part of Fremantle.
As visitors explore Room Service, they are invited to enter spaces that are both intimate and vast, where art and performance come together in unexpected ways. The installation is a testament to the power of creative vision and collaboration, highlighting the potential for empty spaces to become vibrant hubs of cultural expression.
Room Service runs from 29-30 November at P&O hotel, 25 High Street, Fremantle, as part of the Fremantle Biennale.