"100 Nights of Hero" Falls Flat Despite Star-Studded Cast
In this fantasy romance, writer-director Julia Jackman's mischievous spark is all too often doused by a lackluster approach to its source material. Based on the graphic novel "100 Nights of Hero" by Isabel Greenberg, the film takes cues from "One Thousand and One Nights," but in Jackman's hands, these narrative layers feel more like thinly veiled extensions for their fictitious storyteller - a queer reimagining of Scheherazade that fails to quite live up to its promise.
The film begins strong, with Felicity Jones narrating the origins of the story and introducing us to Cherry (Maika Monroe), a melancholy woman who's married off to Jerome (Amir El-Masry) in a Victorian dollhouse conception. Jerome's neglectful nature sets the stage for their lackluster progeny, and we're introduced to Hero (Emma Corrin), Cherry's loyal servant with pixie hair, who maintains a watchful eye on the proceedings.
As Manfred (Nicholas Galitzine) takes an extended leave of absence from his castle, he makes a wager with his scheming friend to seduce Cherry in his stead. But it's Hero's nightly stories that truly bring the house down - literally at times, as she appears to call on witchcraft, causing Manfred to lose all sense of days and weeks.
However, these enchanting tales are often more like a tease than a payoff, leaving us with more questions than answers about the secret society of storytellers that Hero's yarns gesture towards. The film gestures towards feminist themes and queer pairings, but they're never presented with enough passion or subtlety to truly ignite.
The film's visuals are undoubtedly gorgeous, capturing a lush, dreamlike quality that's reminiscent of Wes Anderson's aesthetic. But despite its picturesque world, the camera seems hesitant to explore it, instead lingering on the still panels of its comic source material. The actors' chemistry is undeniable, but they're seldom allowed to explore it either.
Ultimately, "100 Nights of Hero" feels like a film that's more told than felt - a story of love and companionship beset by hegemonic structures that's never quite brought to life on screen. Despite its star-studded cast and mischievous spark, the film is a disappointment, with only its visuals managing to evoke a sense of allure.
In this fantasy romance, writer-director Julia Jackman's mischievous spark is all too often doused by a lackluster approach to its source material. Based on the graphic novel "100 Nights of Hero" by Isabel Greenberg, the film takes cues from "One Thousand and One Nights," but in Jackman's hands, these narrative layers feel more like thinly veiled extensions for their fictitious storyteller - a queer reimagining of Scheherazade that fails to quite live up to its promise.
The film begins strong, with Felicity Jones narrating the origins of the story and introducing us to Cherry (Maika Monroe), a melancholy woman who's married off to Jerome (Amir El-Masry) in a Victorian dollhouse conception. Jerome's neglectful nature sets the stage for their lackluster progeny, and we're introduced to Hero (Emma Corrin), Cherry's loyal servant with pixie hair, who maintains a watchful eye on the proceedings.
As Manfred (Nicholas Galitzine) takes an extended leave of absence from his castle, he makes a wager with his scheming friend to seduce Cherry in his stead. But it's Hero's nightly stories that truly bring the house down - literally at times, as she appears to call on witchcraft, causing Manfred to lose all sense of days and weeks.
However, these enchanting tales are often more like a tease than a payoff, leaving us with more questions than answers about the secret society of storytellers that Hero's yarns gesture towards. The film gestures towards feminist themes and queer pairings, but they're never presented with enough passion or subtlety to truly ignite.
The film's visuals are undoubtedly gorgeous, capturing a lush, dreamlike quality that's reminiscent of Wes Anderson's aesthetic. But despite its picturesque world, the camera seems hesitant to explore it, instead lingering on the still panels of its comic source material. The actors' chemistry is undeniable, but they're seldom allowed to explore it either.
Ultimately, "100 Nights of Hero" feels like a film that's more told than felt - a story of love and companionship beset by hegemonic structures that's never quite brought to life on screen. Despite its star-studded cast and mischievous spark, the film is a disappointment, with only its visuals managing to evoke a sense of allure.