Santas on their most loved – and hated – Christmas hits. What brings joy to some is annoyance to others, as this group of individuals who embody the spirit of Santa Claus reveal what festive tunes get them in the mood for merriment.
For Paul Fessi, aka Green Santa, it's Eartha Kitt's sultry rendition of "Santa Baby" and Rudolph the Red-Nosed Reindeer that get his heart racing. These classic tracks have an undeniable magic to them, transporting listeners back to a bygone era of enchantment and wonder. In contrast, he can't stand Spike Jones' over-the-top 1948 hit "All I Want For Christmas Is My Two Front Teeth", which grates on him like fingernails on a chalkboard.
Cleve Freckleton, aka Rasta Claus, takes a more modern approach to festive music. He'd rather hear a grime Christmas song or a punk version of Silent Night than the same old Mariah Carey tracks for the umpteenth time. His own rendition of Santa brings a fresh energy to the character, as he's not afraid to break convention and celebrate diversity.
Then there's Keith Leech, who finds himself embracing the jolly spirit of Jingle Bells despite his initial reservations about Donny Osmond's Christmas crooning. For him, it's all about the nostalgia and the sense of shared experience that comes with festive music.
Nigel Harvey, aka Santa Himself, wears his heart on his sleeve when it comes to Christmas songs. His love for Jona Lewie's "Stop the Cavalry" is palpable, a heartfelt plea that captures the essence of the holiday season. While Nat King Cole's "The Little Boy That Santa Claus Forgot" might strike a chord in others, it holds a painful reminder of loss and hardship.
Last but not least, there's Simon Anthony, who has discovered his inner Santa through sheer force of will. His love for Prokofiev's Sleigh Ride is unmistakable, a nod to the classic sounds of yesteryear that never fails to put him in the mood for Christmas cheer.
In the end, what sets these Santas apart is their unique perspective on festive music. While some find solace in familiar classics, others revel in innovation and experimentation. Whether it's grime or punk, soulful ballads or catchy pop tunes, each has found a way to make Christmas music that works for them – and that's the true spirit of the season.
For Paul Fessi, aka Green Santa, it's Eartha Kitt's sultry rendition of "Santa Baby" and Rudolph the Red-Nosed Reindeer that get his heart racing. These classic tracks have an undeniable magic to them, transporting listeners back to a bygone era of enchantment and wonder. In contrast, he can't stand Spike Jones' over-the-top 1948 hit "All I Want For Christmas Is My Two Front Teeth", which grates on him like fingernails on a chalkboard.
Cleve Freckleton, aka Rasta Claus, takes a more modern approach to festive music. He'd rather hear a grime Christmas song or a punk version of Silent Night than the same old Mariah Carey tracks for the umpteenth time. His own rendition of Santa brings a fresh energy to the character, as he's not afraid to break convention and celebrate diversity.
Then there's Keith Leech, who finds himself embracing the jolly spirit of Jingle Bells despite his initial reservations about Donny Osmond's Christmas crooning. For him, it's all about the nostalgia and the sense of shared experience that comes with festive music.
Nigel Harvey, aka Santa Himself, wears his heart on his sleeve when it comes to Christmas songs. His love for Jona Lewie's "Stop the Cavalry" is palpable, a heartfelt plea that captures the essence of the holiday season. While Nat King Cole's "The Little Boy That Santa Claus Forgot" might strike a chord in others, it holds a painful reminder of loss and hardship.
Last but not least, there's Simon Anthony, who has discovered his inner Santa through sheer force of will. His love for Prokofiev's Sleigh Ride is unmistakable, a nod to the classic sounds of yesteryear that never fails to put him in the mood for Christmas cheer.
In the end, what sets these Santas apart is their unique perspective on festive music. While some find solace in familiar classics, others revel in innovation and experimentation. Whether it's grime or punk, soulful ballads or catchy pop tunes, each has found a way to make Christmas music that works for them – and that's the true spirit of the season.