The latest offering from former British Prime Minister Liz Truss, 'The Liz Truss Show', has all the makings of a catastrophic YouTube series. In its inaugural episode, Truss demonstrated her ability to self-silence, tweeting that it would be available at 6pm - only for it to fail to materialize until an astonishing 20 minutes later.
When finally released, the show's introduction was marked by one of the most bewildering opening monologues in recent memory. Truss launched into a frenzied rant about Britain being on the brink of collapse, with small businesses dying and big businesses leaving en masse. Her critique of the media was particularly telling, suggesting that they are "refusing to tell" the truth because they focus on "Gail's bakeries and gated residences", implying that these are somehow the only things worthy of attention.
This bizarre diatribe served as a stark warning of what viewers can expect from Truss' show: an unrelenting barrage of Maga-esque stereotypes about Britain, delivered with all the subtlety of a sledgehammer. Her desire to emulate Donald Trump's bombastic style was clear, and her audience - if it exists at all - will undoubtedly be subjected to a stream of divisive rhetoric.
The interviews that followed were equally cringe-worthy. Truss's conversations with guests Matt Goodwin and Alex Phillips were stilted and awkward, with the camera often lingering on her face for extended periods, creating an uncomfortable viewing experience. The abrupt cutoff of one interview, in particular, has raised questions about whether Truss was silenced by the very "Deep State" she claims to be fighting against.
Ultimately, 'The Liz Truss Show' appears to be a desperate attempt by Truss to find a new audience and gain traction with the American right. Her willingness to resort to such base, divisive rhetoric is both tragic and stupid, leaving viewers wondering what could have been if she had approached her YouTube series with even half the level of care and nuance as one might expect from a former head of state.
With episode two set to air next Friday at 6pm - provided Truss has figured out how clocks work by then - it's clear that this series will continue to be an entertaining, if not entirely admirable, trainwreck.
When finally released, the show's introduction was marked by one of the most bewildering opening monologues in recent memory. Truss launched into a frenzied rant about Britain being on the brink of collapse, with small businesses dying and big businesses leaving en masse. Her critique of the media was particularly telling, suggesting that they are "refusing to tell" the truth because they focus on "Gail's bakeries and gated residences", implying that these are somehow the only things worthy of attention.
This bizarre diatribe served as a stark warning of what viewers can expect from Truss' show: an unrelenting barrage of Maga-esque stereotypes about Britain, delivered with all the subtlety of a sledgehammer. Her desire to emulate Donald Trump's bombastic style was clear, and her audience - if it exists at all - will undoubtedly be subjected to a stream of divisive rhetoric.
The interviews that followed were equally cringe-worthy. Truss's conversations with guests Matt Goodwin and Alex Phillips were stilted and awkward, with the camera often lingering on her face for extended periods, creating an uncomfortable viewing experience. The abrupt cutoff of one interview, in particular, has raised questions about whether Truss was silenced by the very "Deep State" she claims to be fighting against.
Ultimately, 'The Liz Truss Show' appears to be a desperate attempt by Truss to find a new audience and gain traction with the American right. Her willingness to resort to such base, divisive rhetoric is both tragic and stupid, leaving viewers wondering what could have been if she had approached her YouTube series with even half the level of care and nuance as one might expect from a former head of state.
With episode two set to air next Friday at 6pm - provided Truss has figured out how clocks work by then - it's clear that this series will continue to be an entertaining, if not entirely admirable, trainwreck.