Stanley Tong's Journey: From Stunt Work to Rewriting 'Supercop' with Jackie Chan
In a conversation at the Red Sea Film Festival, Stanley Tong, director and producer of several notable Hong Kong films, recounted the improbable path that led him from stunt work to one of the most significant collaborations in Jackie Chan's career. The journey began when Tong started training in martial arts and gymnastics as a child after meeting Bruce Lee through his brother-in-law, an actor.
Tong's early foray into the film industry was directly behind the camera, not behind a lens. As a stuntman, he suffered numerous injuries, including broken shoulders, ribs, back, and kneecap, which earned him many stitches and left his ankles twisted on multiple occasions. It was a grueling profession that pushed Tong to seek alternative routes.
When a severe shoulder injury forced him to leave the stunt industry, Tong's mother encouraged him to find a new job, leading him to explore production roles as a way to learn filmmaking from within. He began working in various departments, including script supervisor, assistant director, screenwriter, and camera operator, eventually landing the role of stunt coordinator in 1986.
The milestone project that catapulted Tong's career came when he was handed the script for "Police Story 3: Supercop," starring Jackie Chan. Initially overwhelmed by the responsibility, Tong realized that directing was his true calling, given the power dynamics at play in Hong Kong's film industry at the time. With this realization, he began to envision a new direction for the film.
Tong proposed relocating the story to a location where authorities would allow large-scale stunts and firearms, creating an opportunity for Chan to shine in a more substantial role. He also pushed for Michelle Yeoh to be cast as his co-lead, feeling that her action sequences were lacking in traditional Jackie Chan films. After securing the backing of both his boss and Chan himself, Tong set out to rework the script from scratch.
The end result was a film that not only revitalized Chan's career but also became an international sensation. The rewritten "Police Story 3: Supercop" earned Chan his first Hong Kong Film Award for best actor, paving the way for his global breakthrough. Looking back, Tong credits the film's success to working within constraints and understanding how to navigate hurdles.
For Tong, making a film is not just about bringing dreams to life but also about finding ways to overcome obstacles. "As a filmmaker, you want to make dreams come true," he emphasized, highlighting the importance of adaptability in his craft.
In a conversation at the Red Sea Film Festival, Stanley Tong, director and producer of several notable Hong Kong films, recounted the improbable path that led him from stunt work to one of the most significant collaborations in Jackie Chan's career. The journey began when Tong started training in martial arts and gymnastics as a child after meeting Bruce Lee through his brother-in-law, an actor.
Tong's early foray into the film industry was directly behind the camera, not behind a lens. As a stuntman, he suffered numerous injuries, including broken shoulders, ribs, back, and kneecap, which earned him many stitches and left his ankles twisted on multiple occasions. It was a grueling profession that pushed Tong to seek alternative routes.
When a severe shoulder injury forced him to leave the stunt industry, Tong's mother encouraged him to find a new job, leading him to explore production roles as a way to learn filmmaking from within. He began working in various departments, including script supervisor, assistant director, screenwriter, and camera operator, eventually landing the role of stunt coordinator in 1986.
The milestone project that catapulted Tong's career came when he was handed the script for "Police Story 3: Supercop," starring Jackie Chan. Initially overwhelmed by the responsibility, Tong realized that directing was his true calling, given the power dynamics at play in Hong Kong's film industry at the time. With this realization, he began to envision a new direction for the film.
Tong proposed relocating the story to a location where authorities would allow large-scale stunts and firearms, creating an opportunity for Chan to shine in a more substantial role. He also pushed for Michelle Yeoh to be cast as his co-lead, feeling that her action sequences were lacking in traditional Jackie Chan films. After securing the backing of both his boss and Chan himself, Tong set out to rework the script from scratch.
The end result was a film that not only revitalized Chan's career but also became an international sensation. The rewritten "Police Story 3: Supercop" earned Chan his first Hong Kong Film Award for best actor, paving the way for his global breakthrough. Looking back, Tong credits the film's success to working within constraints and understanding how to navigate hurdles.
For Tong, making a film is not just about bringing dreams to life but also about finding ways to overcome obstacles. "As a filmmaker, you want to make dreams come true," he emphasized, highlighting the importance of adaptability in his craft.