Joy Gharoro-Akpojotor's asylum interview was an ordeal she won't soon forget. The Nigerian-British director recounts the experience in her semi-autobiographical feature film Dreamers, which premiered at the London film festival and Berlin earlier this year. In one harrowing scene, a Home Office caseworker grilled Gharoro-Akpojotor with provocative questions about her sexuality.
"I was like: Oh my God, everyone can see me. Everyone knows everything about me," she laughs, reflecting on how the experience felt exposing. The interview included some remarkably uninformed questions - "Is there a Brighton in Nigeria?" and "OK, if your family are in the south and they know you're gay, why can't you go up north?"
One question that stood out was what Gharoro-Akpojotor had done sexually with a woman or a man. The film portrays the grimness and bureaucratic indifference of UK immigration, where people are processed without listening to them or looking them in the eye.
Despite the trauma she endured, Gharoro-Akpojotor counts herself lucky that her asylum application was approved five days later. She credits the rapport she built with the caseworker over Dagenham, a town where both of them lived at the time, as being pivotal to the outcome.
The film challenges stereotypes about refugees and presents a gorgeous love story between Isio and Farah, two women in a detention centre. The script subtly subverts expectations and is funny and warm.
Gharoro-Akpojotor's journey to making films began when she was just 11 years old, writing stories in her bedroom that would later be described as "The Vampire Busters." After studying cinema at university and working part-time in a betting shop, she discovered her knack for producing and eventually started making short films.
She produced her first feature film, Blue Story, which became embroiled in controversy over its portrayal of gang violence. Gharoro-Akpojotor wants to make more films that challenge people to see the world differently, such as one about a young man with mental health problems.
"I want you to be like, next time you see a guy on the road, and you hear him shouting, take time to think," she says. "We're so used to walking by. We treat people as the other. It's the same with immigration - it's those guys over there."
Gharoro-Akpojotor believes that if we had more understanding of social issues, we would have much more care for each other.
"I was like: Oh my God, everyone can see me. Everyone knows everything about me," she laughs, reflecting on how the experience felt exposing. The interview included some remarkably uninformed questions - "Is there a Brighton in Nigeria?" and "OK, if your family are in the south and they know you're gay, why can't you go up north?"
One question that stood out was what Gharoro-Akpojotor had done sexually with a woman or a man. The film portrays the grimness and bureaucratic indifference of UK immigration, where people are processed without listening to them or looking them in the eye.
Despite the trauma she endured, Gharoro-Akpojotor counts herself lucky that her asylum application was approved five days later. She credits the rapport she built with the caseworker over Dagenham, a town where both of them lived at the time, as being pivotal to the outcome.
The film challenges stereotypes about refugees and presents a gorgeous love story between Isio and Farah, two women in a detention centre. The script subtly subverts expectations and is funny and warm.
Gharoro-Akpojotor's journey to making films began when she was just 11 years old, writing stories in her bedroom that would later be described as "The Vampire Busters." After studying cinema at university and working part-time in a betting shop, she discovered her knack for producing and eventually started making short films.
She produced her first feature film, Blue Story, which became embroiled in controversy over its portrayal of gang violence. Gharoro-Akpojotor wants to make more films that challenge people to see the world differently, such as one about a young man with mental health problems.
"I want you to be like, next time you see a guy on the road, and you hear him shouting, take time to think," she says. "We're so used to walking by. We treat people as the other. It's the same with immigration - it's those guys over there."
Gharoro-Akpojotor believes that if we had more understanding of social issues, we would have much more care for each other.