Punchdrunk Enrichment's latest offering, Fireside Tales, is an immersive theatre experience that successfully weaves a spell of enchantment around its young audience. From the outset, the show sets a gentle tone, allowing children to gradually settle into the world of stories and imagination.
Upon entering the "store", where the narrative unfolds, it becomes clear that attention to detail has been meticulously applied by set designer Mydd Pharo. The shelves are overflowing with an array of curiosities – feathers, globes, photographs, twinkling lava lamps, and vintage typewriters – each one carefully selected to spark imagination and curiosity.
The performance itself is led by Rebecca Clark and Amari Harris as Cosi and Ali, the two store owners tasked with categorising all of the world's stories. With infectious enthusiasm and earnestness, they share tales that capture the hearts and minds of their young audience, who eagerly contribute to the narrative.
For five-year-old Benji in this writer's company, a fire story ignites his imagination as 'flames' dance around the store, jumping from one object to the next. The scene then shifts to an outdoor courtyard, where crumbling walls covered in ivy and an unlit fire await the children's arrival. As Benji settles into his spot, his initial anxiety has vanished, replaced by a sense of wonder.
While Steve McCourt's script occasionally feels strained, certain moments shine through – notably when the children are asked to draw pictures of home. In this quiet, introspective moment, their focused attention and happy energy are palpable.
Ultimately, Fireside Tales succeeds in its mission as an immersive theatre experience designed for schools, communities, and young people alike. It is a masterclass in crafting a captivating narrative that encourages imagination and participation from its youngest audience members.
Upon entering the "store", where the narrative unfolds, it becomes clear that attention to detail has been meticulously applied by set designer Mydd Pharo. The shelves are overflowing with an array of curiosities – feathers, globes, photographs, twinkling lava lamps, and vintage typewriters – each one carefully selected to spark imagination and curiosity.
The performance itself is led by Rebecca Clark and Amari Harris as Cosi and Ali, the two store owners tasked with categorising all of the world's stories. With infectious enthusiasm and earnestness, they share tales that capture the hearts and minds of their young audience, who eagerly contribute to the narrative.
For five-year-old Benji in this writer's company, a fire story ignites his imagination as 'flames' dance around the store, jumping from one object to the next. The scene then shifts to an outdoor courtyard, where crumbling walls covered in ivy and an unlit fire await the children's arrival. As Benji settles into his spot, his initial anxiety has vanished, replaced by a sense of wonder.
While Steve McCourt's script occasionally feels strained, certain moments shine through – notably when the children are asked to draw pictures of home. In this quiet, introspective moment, their focused attention and happy energy are palpable.
Ultimately, Fireside Tales succeeds in its mission as an immersive theatre experience designed for schools, communities, and young people alike. It is a masterclass in crafting a captivating narrative that encourages imagination and participation from its youngest audience members.