Peter Chan Recalls UFO Era, Industry Transformation at Tokyo: ‘I Make Movies That the Market Needs’

I don't know if I agree that Peter Chan's transition to mainland Chinese production was a good thing for Hong Kong cinema ... at least not initially, anyway. Like, didn't he used to be all about being independent and taking risks? Now it sounds like he's just churning out big-budget blockbusters that cater to the market . I mean, "Comrades: Almost a Love Story" got mixed reviews from critics, but hey, audiences loved it, so what's wrong with that? It's all about timing, right? ... or is it just about pandering to the masses?

I'm really curious about how Peter Chan's shift from Hong Kong to mainland China impacted his filmmaking style... did he have to tone down his creativity to appeal to a broader audience? He talks about making "movies that the market needs" now, which is interesting - was this always part of his strategy or is it something he adopted later on?

I think it's dope that Peter Chan still has a strong voice in cinema even after all these years. Like, he's been through so much - from Hong Kong's crazy film scene to mainland China's different market vibes... it's impressive how he's adapted and continued to make movies that people love . And I'm loving the fact that he's still pushing boundaries with his latest film, "She Has No Name" - even if some critics might say it's a bit commercial, I think he's just trying to stay relevant in an ever-changing industry . At the end of the day, it's all about telling stories that matter, and Chan's still doing just that

Peter Chan's journey from an independent-minded Hong Kong filmmaker to a major Chinese production powerhouse

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His groundbreaking approach to filmmaking emerged from frustration with industry constraints

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He co-founded UFO with like-minded directors who sought autonomy and innovation

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Inspired by United Artists, he brought forth films he truly desired

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Hong Kong's decline began to unfold around 1991-1992, but Chan adapted and thrived

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His latest film, "She Has No Name," premiered at Cannes this year

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I'm still amazed by Peter Chan's journey from being a rebel filmmaker to a major player in Chinese cinema . His story is like a time capsule - it reminds me of the good old days when Hong Kong was all about innovation and taking risks with filmmaking . He co-founded UFO, this amazing studio that brought forth some truly iconic films . I wish I could've seen him and his fellow directors back in the day at the Tokyo International Film Festival . It's crazy to think that he had to adapt to a new industry landscape when he transitioned to mainland Chinese production . His ability to balance commercial viability with artistic freedom is truly inspiring . I'm loving how he continues to push boundaries and create stories that transcend borders . And I have to say, his latest film "She Has No Name" has me hooked !

man I just read about peter chan's journey from being a filmmaking icon in hong kong to becoming a major player in mainland chinese production it's crazy how he had to adapt his style to resonate with chinese audiences while still conveying universal themes. but what I think is really inspiring is that despite the commercial pressures, he still managed to create films that speak directly to the human experience like "she has no name" which tackles some heavy topics and yet resonates with people on a deeper level it's a great reminder that as creatives, we have the power to shape our own narratives and not just follow market trends