Cinderella at the Rose Theatre is a modern retelling of the classic tale, with a cast largely made up of young actors from the Rose Youth Theatre company. The production boasts witty and heartfelt script, courtesy of co-writers Chris Bush and Roni Neale, but it's often marred by excessive complexity that veers between realistic theatre and slapdash pantomime.
The show's reliance on special effects is undeniable, with a magical microwave and memorable costume changes inside a fridge adding to the festive atmosphere. A standout trio of cheese-obsessed mice bring comedic charm, while Jack Fernie shines as the deliciously camp and convincing cat, Mr Bingles.
However, this adaptation's biggest weakness lies in its overstretched narrative, which struggles to justify key plot points such as Ella's willingness to attend a ball or her desire to marry a prince. The reimagining of the baby sisters as fully grown women also raises questions about character development and consistency.
It isn't until Ella returns to her "real life" that the show's songs – initially dismissed as skits – reveal their emotional depth, with Matt Winkworth's lyrics tackling themes of frustration, sorrow, and longing. Maddy Hunter shines in her portrayal of Ella, capturing the difficulties of making a blended family work in I Remember.
Beneath its noise and spectacle lies a beautiful story about the love between a stepmum and her stepdaughter – one that's tantalisingly glimpsed but often overshadowed by the production's more obvious elements.
The show's reliance on special effects is undeniable, with a magical microwave and memorable costume changes inside a fridge adding to the festive atmosphere. A standout trio of cheese-obsessed mice bring comedic charm, while Jack Fernie shines as the deliciously camp and convincing cat, Mr Bingles.
However, this adaptation's biggest weakness lies in its overstretched narrative, which struggles to justify key plot points such as Ella's willingness to attend a ball or her desire to marry a prince. The reimagining of the baby sisters as fully grown women also raises questions about character development and consistency.
It isn't until Ella returns to her "real life" that the show's songs – initially dismissed as skits – reveal their emotional depth, with Matt Winkworth's lyrics tackling themes of frustration, sorrow, and longing. Maddy Hunter shines in her portrayal of Ella, capturing the difficulties of making a blended family work in I Remember.
Beneath its noise and spectacle lies a beautiful story about the love between a stepmum and her stepdaughter – one that's tantalisingly glimpsed but often overshadowed by the production's more obvious elements.