Renowned photographer and activist Kwame Brathwaite, who played a pivotal role in defining the aesthetics of the "Black is Beautiful" movement, has passed away at the age of 85. Born in 1938 to Barbadian immigrants, Brathwaite grew up in New York before moving to Harlem and eventually becoming a fixture of the vibrant South Bronx community.
Brathwaite's journey into photography was marked by two pivotal moments: his encounter with David Jackson's haunting photograph of Emmett Till in open casket in 1955, which left an indelible mark on his work; and his observation of a young man taking photos without flash at a jazz club in 1956, sparking his desire to experiment with photography.
Using a Hasselblad medium-format camera, Brathwaite honed his skills, learning to work with limited light and develop a darkroom technique that enriched the visual narrative of his imagery. His photographs captured moments of triumph and celebration, such as the "Grandassa Models" – young Black women whose features were accentuated in his images – which became an iconic representation of Black beauty.
Throughout his career, Brathwaite's focus shifted from jazz to other forms of popular Black music, including collaborations with The Jackson Five, Nina Simone, Stevie Wonder, and Bob Marley. His work continued to explore the "Black is Beautiful" ethos, earning him recognition as a photographer and activist who challenged whitewashed beauty standards.
In recent years, Brathwaite's work has experienced a resurgence in interest from curators, historians, and collectors. His first major institutional retrospective took place at the Skirball Cultural Center in Los Angeles in 2019 before touring the country. A separate exhibition, "Kwame Brathwaite: Things Well Worth Waiting For," is currently on view at the Art Institute of Chicago.
Despite his passing at 85, Brathwaite's legacy continues to inspire a new generation of artists and activists. His photographs remain powerful testaments to the beauty and resilience of Black people, leaving an indelible mark on the cultural landscape.
Brathwaite's journey into photography was marked by two pivotal moments: his encounter with David Jackson's haunting photograph of Emmett Till in open casket in 1955, which left an indelible mark on his work; and his observation of a young man taking photos without flash at a jazz club in 1956, sparking his desire to experiment with photography.
Using a Hasselblad medium-format camera, Brathwaite honed his skills, learning to work with limited light and develop a darkroom technique that enriched the visual narrative of his imagery. His photographs captured moments of triumph and celebration, such as the "Grandassa Models" – young Black women whose features were accentuated in his images – which became an iconic representation of Black beauty.
Throughout his career, Brathwaite's focus shifted from jazz to other forms of popular Black music, including collaborations with The Jackson Five, Nina Simone, Stevie Wonder, and Bob Marley. His work continued to explore the "Black is Beautiful" ethos, earning him recognition as a photographer and activist who challenged whitewashed beauty standards.
In recent years, Brathwaite's work has experienced a resurgence in interest from curators, historians, and collectors. His first major institutional retrospective took place at the Skirball Cultural Center in Los Angeles in 2019 before touring the country. A separate exhibition, "Kwame Brathwaite: Things Well Worth Waiting For," is currently on view at the Art Institute of Chicago.
Despite his passing at 85, Brathwaite's legacy continues to inspire a new generation of artists and activists. His photographs remain powerful testaments to the beauty and resilience of Black people, leaving an indelible mark on the cultural landscape.