"Wicked: For Good" Falls Flat Despite Erivo's Stellar Performance
The highly anticipated sequel to the beloved musical "Wicked" finally arrived, and while it boasts a talented cast, including Cynthia Erivo as the Wicked Witch of the West, the film ultimately fails to deliver on its promise. Director Jon M. Chu's attempt to deconstruct the classic tale of "The Wizard of Oz" comes across as shallow and heavy-handed, sacrificing emotional resonance for cheap anti-fascist commentary.
Erivo shines in her role, bringing depth and nuance to a character often reduced to cartoonish villainy. Her performance is a highlight of an otherwise lackluster film that struggles to find its footing. The movie's themes of resistance against oppression are timely, yet the execution feels like a half-hearted attempt to tackle complex issues.
The plot is similarly underdeveloped, with key dramatic moments feeling forced and rushed. The love triangle between Elphaba, Galinda, and Prince Fiyero is particularly uninspired, lacking the tension and chemistry that made its stage counterpart so compelling. The songs, too, fail to impress, with only a few memorable numbers like "No Place Like Home" and "For Good" failing to elevate the film.
Perhaps the most egregious issue is the film's failure to respect the original material. By making Oz feel "ugly" and diluting its timeless magic, the creative team behind "Wicked: For Good" seems more interested in pushing an agenda than honoring the spirit of L. Frank Baum's classic tale. This approach feels like a misstep, undermining the very essence that made "The Wizard of Oz" so beloved.
Ultimately, "Wicked: For Good" is a shallow waste of cinematic resources, more concerned with delivering a message than crafting a genuine story. Despite Erivo's best efforts, the film falls flat, leaving audiences feeling disappointed and unfulfilled. Grade: D+.
The highly anticipated sequel to the beloved musical "Wicked" finally arrived, and while it boasts a talented cast, including Cynthia Erivo as the Wicked Witch of the West, the film ultimately fails to deliver on its promise. Director Jon M. Chu's attempt to deconstruct the classic tale of "The Wizard of Oz" comes across as shallow and heavy-handed, sacrificing emotional resonance for cheap anti-fascist commentary.
Erivo shines in her role, bringing depth and nuance to a character often reduced to cartoonish villainy. Her performance is a highlight of an otherwise lackluster film that struggles to find its footing. The movie's themes of resistance against oppression are timely, yet the execution feels like a half-hearted attempt to tackle complex issues.
The plot is similarly underdeveloped, with key dramatic moments feeling forced and rushed. The love triangle between Elphaba, Galinda, and Prince Fiyero is particularly uninspired, lacking the tension and chemistry that made its stage counterpart so compelling. The songs, too, fail to impress, with only a few memorable numbers like "No Place Like Home" and "For Good" failing to elevate the film.
Perhaps the most egregious issue is the film's failure to respect the original material. By making Oz feel "ugly" and diluting its timeless magic, the creative team behind "Wicked: For Good" seems more interested in pushing an agenda than honoring the spirit of L. Frank Baum's classic tale. This approach feels like a misstep, undermining the very essence that made "The Wizard of Oz" so beloved.
Ultimately, "Wicked: For Good" is a shallow waste of cinematic resources, more concerned with delivering a message than crafting a genuine story. Despite Erivo's best efforts, the film falls flat, leaving audiences feeling disappointed and unfulfilled. Grade: D+.