Precipice review: A Confusing Climate Disaster Musical on the Thames
In this experimental climate disaster musical, a biomedical waste dump in the river has caused London to flood, and a 16th-floor flat in a tower block overlooking the Thames is one of the few safe havens. However, things quickly become opaque as two storylines unfold across different time zones - past and future.
The present-day narrative revolves around Ash, a scientist, and Emily, a civil servant, who are implicated in the climate disaster that threatens their world. The story meanders through their relationship and the backstory of toxic waste, with short scenes that often feel like filler between songs.
Musically, Precipice is characterized by a meditative pace that grounds the story rather than driving it forward. While some instrumental accompaniments are pleasant, the songs themselves lack infectiousness, with cumbersome lyrics that fail to convey emotional depth. The music barely propels the narrative, leaving the audience feeling detached and uncertain.
The worldbuilding within this dystopian society is haphazard, with characters introduced as they celebrate an event called "The Balance" without any clear context or explanation of its significance. The stakes are kept low due to a lack of detail about the dangers outside the tower block, rendering the threats feel inconsequential.
One major character, Biscuits, feels like a cipher with too little backstory or emotional resonance to make his plight impactful. Flashbacks also fail to add significant depth to the narrative, and key plot points are revealed too late to have any meaningful impact.
Ultimately, Precipice's attempt at creating a new musical form is undermined by its confusing narrative structure. The endeavour feels more like an experiment than a fully realized artistic vision, leaving viewers with a jumbled sense of what's happening on stage.
In this experimental climate disaster musical, a biomedical waste dump in the river has caused London to flood, and a 16th-floor flat in a tower block overlooking the Thames is one of the few safe havens. However, things quickly become opaque as two storylines unfold across different time zones - past and future.
The present-day narrative revolves around Ash, a scientist, and Emily, a civil servant, who are implicated in the climate disaster that threatens their world. The story meanders through their relationship and the backstory of toxic waste, with short scenes that often feel like filler between songs.
Musically, Precipice is characterized by a meditative pace that grounds the story rather than driving it forward. While some instrumental accompaniments are pleasant, the songs themselves lack infectiousness, with cumbersome lyrics that fail to convey emotional depth. The music barely propels the narrative, leaving the audience feeling detached and uncertain.
The worldbuilding within this dystopian society is haphazard, with characters introduced as they celebrate an event called "The Balance" without any clear context or explanation of its significance. The stakes are kept low due to a lack of detail about the dangers outside the tower block, rendering the threats feel inconsequential.
One major character, Biscuits, feels like a cipher with too little backstory or emotional resonance to make his plight impactful. Flashbacks also fail to add significant depth to the narrative, and key plot points are revealed too late to have any meaningful impact.
Ultimately, Precipice's attempt at creating a new musical form is undermined by its confusing narrative structure. The endeavour feels more like an experiment than a fully realized artistic vision, leaving viewers with a jumbled sense of what's happening on stage.