Tom Sandberg's photographs are a paradox - they exude a sense of melancholy and introspection, yet simultaneously radiate a calm and serene energy. Shot in bold chiaroscuro or gentle orchestrations of greys, his images transport the viewer to a dreamlike world where the ordinary becomes extraordinary. But what makes these pictures truly remarkable is their ability to evoke an emotional response without being overtly sentimental.
Born in 1953 in Narvik, Norway, Sandberg's early life was marked by turmoil and upheaval. His father abandoned the family when Tom was young, leading him to develop a strong sense of resilience and determination. Despite struggling with alcohol and substance abuse, Sandberg became one of Norway's most famous photographers, pivotal in establishing photography as a serious art form in the Nordic region during the 1980s and 1990s.
His photographs are characterized by a sense of contemplation and calmness, yet also hint at a darker, more troubled undercurrent. Shot in monochrome, they often feature solitary figures with their back turned to the camera, creating an air of mystery and introspection. However, upon closer inspection, these subjects reveal themselves to be studies of strange shapes, with Marie Sandberg, Tom's daughter, appearing as a whirligig of blonde hair in some images.
Sandberg's fascination with his own myth-making is evident in many of his photographs. Rumors swirled around him, including the infamous tale of a woman biting off his ear - a story he himself perpetuated to create an air of mystery surrounding his work. This paradoxical blend of humor and introspection is reflected in his photography, which often features self-portraits that seem almost mundane at first glance.
However, it is precisely this ordinariness that belies the complexity and depth of Sandberg's work. His photographs are a testament to the power of observation and the importance of slowing down in a world that increasingly values speed and haste. As Morten Andenæs, Sandberg's former assistant and co-curator of his Henie Onstad exhibition, notes, "Being in his company felt like the sun was shining on you."
The exhibition at Henie Onstad Kunstsenter is a fitting tribute to Sandberg's life and work. It showcases four decades of his photography, from student work taken in the mid-1970s to pictures made shortly before his death in 2014. The show includes works that are both serene and contemplative, yet also hint at a darker, more troubled undercurrent.
Ultimately, Tom Sandberg's photographs are a reminder that art can be both accessible and profound. They invite us to slow down, observe the world around us, and find beauty in the mundane. As Marie Sandberg notes, "I think he saw a lot of himself in me." This is the true power of Sandberg's work - it allows us to see ourselves, and the world around us, in a new light.
Born in 1953 in Narvik, Norway, Sandberg's early life was marked by turmoil and upheaval. His father abandoned the family when Tom was young, leading him to develop a strong sense of resilience and determination. Despite struggling with alcohol and substance abuse, Sandberg became one of Norway's most famous photographers, pivotal in establishing photography as a serious art form in the Nordic region during the 1980s and 1990s.
His photographs are characterized by a sense of contemplation and calmness, yet also hint at a darker, more troubled undercurrent. Shot in monochrome, they often feature solitary figures with their back turned to the camera, creating an air of mystery and introspection. However, upon closer inspection, these subjects reveal themselves to be studies of strange shapes, with Marie Sandberg, Tom's daughter, appearing as a whirligig of blonde hair in some images.
Sandberg's fascination with his own myth-making is evident in many of his photographs. Rumors swirled around him, including the infamous tale of a woman biting off his ear - a story he himself perpetuated to create an air of mystery surrounding his work. This paradoxical blend of humor and introspection is reflected in his photography, which often features self-portraits that seem almost mundane at first glance.
However, it is precisely this ordinariness that belies the complexity and depth of Sandberg's work. His photographs are a testament to the power of observation and the importance of slowing down in a world that increasingly values speed and haste. As Morten Andenæs, Sandberg's former assistant and co-curator of his Henie Onstad exhibition, notes, "Being in his company felt like the sun was shining on you."
The exhibition at Henie Onstad Kunstsenter is a fitting tribute to Sandberg's life and work. It showcases four decades of his photography, from student work taken in the mid-1970s to pictures made shortly before his death in 2014. The show includes works that are both serene and contemplative, yet also hint at a darker, more troubled undercurrent.
Ultimately, Tom Sandberg's photographs are a reminder that art can be both accessible and profound. They invite us to slow down, observe the world around us, and find beauty in the mundane. As Marie Sandberg notes, "I think he saw a lot of himself in me." This is the true power of Sandberg's work - it allows us to see ourselves, and the world around us, in a new light.