Marrakech has been doing art all wrong... everyone's always talking about the colors, patterns, and spices, but what about the stories behind the pieces? 
I mean, we're still only scratching the surface of understanding Africa's rich cultural heritage. But I guess 1-54 is a step in the right direction. 
At least they're showcasing more than just traditional crafts and textiles. The diversity of artworks was impressive - it's about time we saw some real representation on that platform! 
. The fact that they have galleries from Africa, Europe, and Asia all under one roof is just incredible 
. And it's so cool to see all the different mediums and styles on display - I love how M'barek Bouhchichi used rubber in his installation, it's like nothing you've ever seen before 
. The unity and solidarity of that mosaic artwork is really powerful .
I just love seeing more diversity at art fairs like 1-54! It's amazing how they bring together galleries from all over Africa, Europe, Asia, and North America under one roof 
. The selection of artworks this year was insane - so many talented artists showcasing their work on a range of mediums 
. I'm also loving the interactive installations like "Ce que je suis, ce que nous sommes" by M'barek Bouhchichi... it's like nothing you've ever seen before! What I find really interesting is how 1-54 has become a platform for African artists to connect with global audiences and share their unique perspectives on life 
. The growth of the fair over the years is definitely a testament to its importance in showcasing the richness of contemporary African culture 
. And can we talk about the fact that collectors and art enthusiasts from all over make it a point to attend both 54 in Marrakech and Doha? 
That's some serious dedication to art! 
I loved seeing so many talented African artists shine at 1-54 this year! It's amazing how the fair has become such an important platform for them to showcase their work and connect with global art audiences. 
️ The diversity of artworks on display was incredible, from identity and politics to social justice – it really reflected the complexity of contemporary African life . I also loved the interactive installations like M'barek Bouhchichi's mosaic artwork 
. It's not just about art, but about bringing people together and celebrating our differences . And I'm so glad El Glaoui acknowledged the challenges faced by many African countries – we need more platforms like 1-54 to give a voice to underrepresented communities . Can't wait to see what the future holds for this amazing art fair! 
I'm loving the vibe at 1-54! Did you know that Africa accounts for 15% of global art sales, but only 3% of galleries? We need more platforms like this to amplify African voices! The diversity of artworks on display is insane - from established artists like Yinka Shonibare and Lynette Yiadom-Boakye to emerging talents like Ghanaian painter Adumetse Anamuri. 
1-54 has grown by 25% in attendance since its inception, with a record-breaking 50% increase in online engagement this year! 
Not to mention the economic impact - let's just say that Marrakech is now a must-visit destination for art lovers and collectors alike. 
Can't wait to see what the future holds for this amazing platform! I'm loving how 1-54 is giving Africa a major platform to shine! It's dope to see all these talented artists pushing boundaries and challenging the status quo. The diversity of the artworks on display is, like, whoa! 
You got established artists alongside emerging talent, and solo exhibitions and group shows – it's all about representation! 
And those interactive installations? 
M'barek Bouhchichi's "Ce que je suis, ce que nous sommes" is giving me all the feels 
. It's so important to celebrate our collective identity and solidarity. I'm glad El Glaoui is hyped about the fair's growth – it's a testament to its power as a platform for African artists and collectors. Can't wait to see what 1-54 brings next!