Ali Smith reveals how her early literary influences still shape her writing today.
The author's love affair with literature began at a tender age. She taught herself to read by deciphering song titles from Beatles 45s, recalling the thrill of recognizing individual words like "I", "Feel", and "Fine". This nascent curiosity eventually led her to champion E.B. White's Charlotte's Web in class, much to Sister Vincent's dismay, who deemed Enid Blyton's books too formulaic.
As she grew older, Smith discovered a treasure trove of writers who would profoundly impact her life and work. Liz Lochhead's Memo for Spring ignited a sense of excitement and hope in the teenager, while Toni Morrison's writing instilled a masterclass on harnessing the aliveness of literature to transform one's own energy.
Muriel Spark and Simone de Beauvoir became beacons of inspiration for Smith, whose prose often echoes the precision and passion of these literary giants. From Spark's Loitering with Intent to Beauvoir's scathing satire in Les Belles Images, Smith has always sought out writers who challenge her perspectives and expand her creative horizons.
More recently, she has found herself enthralled by the works of Liadan Ní Chuinn, whose stories about Ireland and recent history tackle difficult truths with unflinching candour. Meanwhile, Tove Jansson's The Summer Book remains a comfort read, its gentle wisdom on loss, light, and life a balm to Smith's soul.
But it was not until she stumbled upon Henry James' The Golden Bowl that Smith felt the thrill of recognition – as if the author had unlocked a hidden language within her own psyche. Her rapturous outburst to her partner in the garden path is a testament to the enduring power of literature to awaken our inner selves and redefine our understanding of the world.
In this, Smith's conversation with Henry James serves as a reminder that literature has the capacity to reshape us, not merely reflect it – an alchemy that continues to captivate her imagination, even in adulthood.
The author's love affair with literature began at a tender age. She taught herself to read by deciphering song titles from Beatles 45s, recalling the thrill of recognizing individual words like "I", "Feel", and "Fine". This nascent curiosity eventually led her to champion E.B. White's Charlotte's Web in class, much to Sister Vincent's dismay, who deemed Enid Blyton's books too formulaic.
As she grew older, Smith discovered a treasure trove of writers who would profoundly impact her life and work. Liz Lochhead's Memo for Spring ignited a sense of excitement and hope in the teenager, while Toni Morrison's writing instilled a masterclass on harnessing the aliveness of literature to transform one's own energy.
Muriel Spark and Simone de Beauvoir became beacons of inspiration for Smith, whose prose often echoes the precision and passion of these literary giants. From Spark's Loitering with Intent to Beauvoir's scathing satire in Les Belles Images, Smith has always sought out writers who challenge her perspectives and expand her creative horizons.
More recently, she has found herself enthralled by the works of Liadan Ní Chuinn, whose stories about Ireland and recent history tackle difficult truths with unflinching candour. Meanwhile, Tove Jansson's The Summer Book remains a comfort read, its gentle wisdom on loss, light, and life a balm to Smith's soul.
But it was not until she stumbled upon Henry James' The Golden Bowl that Smith felt the thrill of recognition – as if the author had unlocked a hidden language within her own psyche. Her rapturous outburst to her partner in the garden path is a testament to the enduring power of literature to awaken our inner selves and redefine our understanding of the world.
In this, Smith's conversation with Henry James serves as a reminder that literature has the capacity to reshape us, not merely reflect it – an alchemy that continues to captivate her imagination, even in adulthood.