Tracey Emin's latest exhibition, "Crossing into Darkness," is a somber exploration of the thresholds of despair and the power of melancholy. Curated by the artist herself, this show brings together an impressive array of visionary artists who have traversed similar landscapes in their own work. The likes of Goya, Munch, Bourgeois, and Baselitz are just a few of the names that populate this exhibition, each offering a unique perspective on the human experience.
One of the standout aspects of "Crossing into Darkness" is its focus on the intersections between art and psychology. By examining the inner lives of these artists, Emin invites viewers to reflect on their own emotional landscapes and the ways in which they navigate the complexities of modern life.
Meanwhile, across town at the National Gallery, Ming Wong has responded to homoerotic paintings of Saint Sebastian with a thought-provoking installation that questions the boundaries between art, identity, and desire. This is just one of several exhibitions taking place across London this week, including an homage to the lost London of the late 1970s and early 1980s at Fitzrovia Chapel.
The intersection of narrative and visual art has also been a key theme in recent exhibitions. At St John's College, Oxford, "Story Painters, Picture Writers" explores the mysterious relationship between words and images, with artists like Julian Bell, Gala Hills, and Jane Griffiths contributing to this intriguing conversation.
In a different vein, Scottish National Portrait Gallery in Edinburgh has unveiled "Solidarity Wins," a powerful exhibition of community-made posters, collages, and other artworks that testify to the enduring power of popular struggle. These works offer a testament to the human spirit's capacity for resistance and resilience in the face of adversity.
Finally, this week has also seen the release of several fascinating documentaries and films, including "Homo Mobilis," which tells us what our vehicles say about us – literally!
One of the standout aspects of "Crossing into Darkness" is its focus on the intersections between art and psychology. By examining the inner lives of these artists, Emin invites viewers to reflect on their own emotional landscapes and the ways in which they navigate the complexities of modern life.
Meanwhile, across town at the National Gallery, Ming Wong has responded to homoerotic paintings of Saint Sebastian with a thought-provoking installation that questions the boundaries between art, identity, and desire. This is just one of several exhibitions taking place across London this week, including an homage to the lost London of the late 1970s and early 1980s at Fitzrovia Chapel.
The intersection of narrative and visual art has also been a key theme in recent exhibitions. At St John's College, Oxford, "Story Painters, Picture Writers" explores the mysterious relationship between words and images, with artists like Julian Bell, Gala Hills, and Jane Griffiths contributing to this intriguing conversation.
In a different vein, Scottish National Portrait Gallery in Edinburgh has unveiled "Solidarity Wins," a powerful exhibition of community-made posters, collages, and other artworks that testify to the enduring power of popular struggle. These works offer a testament to the human spirit's capacity for resistance and resilience in the face of adversity.
Finally, this week has also seen the release of several fascinating documentaries and films, including "Homo Mobilis," which tells us what our vehicles say about us – literally!
so i went to tracey emins latest exhibition "crossing into darkness" and honestly its super somber... like, very melancholy vibes all around. im not saying i wasn't moved by it tho, cuz like, its basically an emotional punch in the gut, but a good one? 
so to see it examined in such detail was pretty cool.
. Like, remember when we used to just walk into an art gallery and be like, "Oh, I feel something?" without all these fancy curators explaining what it meant 
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. But I guess it's cool to see how people used to interact with technology back in the day.
️. Give me a good ol' fashioned cassette tape any day over all these fancy streaming services 
. Ah well, nostalgia is just part of life, right? 
But what I love about exhibitions like this is that they make you reflect on your own life and emotions... like, have you ever felt that sense of despair or melancholy? It's like, we're all in this together, you know?
That's what "Crossing into Darkness" is all about. Emin's bringing together these amazing artists who are exploring their inner lives and emotions... it's like, really deep stuff. And Ming Wong's show is like, a total mind-bender.
"Solidarity Wins" at the Scottish National Portrait Gallery in Edinburgh is giving me all the feels. It's like, these people are fighting for something bigger than themselves, and it's so inspiring.
"Homo Mobilis" is hilarious... but also, what do our cars say about us? Is that a metaphor for anything deeper? 
I'm loving how all these exhibitions are exploring the human experience through art 
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I drew a simple mind map:
And that got me thinking about the exhibitions at St John's College and Scottish National Portrait Gallery too... what if we told stories through art instead of words? 
. It's crazy to see how other artists have explored similar themes in their work, it's almost like they're speaking directly to our souls 
. The intersection of art and psychology is so important, I feel like we need more exhibitions that encourage us to reflect on our inner lives 
I think it's great that there are exhibitions like "Crossing into Darkness" that can spark conversations about our emotions, but maybe we could also celebrate the beauty of human connection and hope 
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. I think what's really cool is that they're not just art shows, but also conversations about the human experience and how we navigate life. Like, who doesn't relate to feeling lost or uncertain at some point? 
! It's amazing to see so many talented artists bringing their unique perspectives to the table. Can't wait to check out some of these shows in person 
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. I mean, I get that my little one can have dark days too, but I wish there was more info on the artists who had "dark" periods in their lives... maybe some resources for parents who want to talk to their kids about mental health? 
. Tracey Emin's show at Tate Modern sounds really powerful, exploring those heavy emotions we've all been there with... you know? 
And that installation by Ming Wong at the National Gallery? Mind-blowing! 
. The Scottish National Portrait Gallery's show on community-made art is also super inspiring – it shows you don't need fancy studios or resources to make a statement 
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? Maybe just take inspiration from the world outside those sterile gallery walls... or at least, you know, have a pint with your mates afterwards 
. Emin's show is like that - it's not about finding solutions or answers, but more about embracing the complexity of emotions and navigating our inner lives. And hey, I love how Wong's installation is pushing boundaries around art and identity - it's like he's saying "hey, this is who we are, and it's okay!" 
These exhibitions remind me that life is messy and multifaceted, and sometimes the best thing to do is just sit back and observe 
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. And have you seen the installation at St John's College, Oxford? It's like a whole different world where words and images collide 
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i just saw the doco "Homo Mobilis" and its SO deep lol my car is literally a reflection of my personality idk if thats good or bad 
and i'm lowkey obsessed now 
. Why can't they just show something happy and uplifting for once? And what's with the focus on "inner lives" and emotions? Can't we talk about something else for a change? Like, have you seen the latest video game releases? Now that's art 
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