Lindsay Jarvis and Max Werner are redefining the art world with their collaborative approach, making a case for partnerships that prioritize sharing infrastructure, costs, and audiences. The duo's latest exhibition, "Eruption," brings together German Neo-Expressionist and Transavanguardia masters alongside emerging contemporary artists from Europe and the US.
The collaboration is rooted in Jarvis' vision of an art world where dealers collaborate with each other rather than competing. Werner, who has a deep understanding of the European art market, shares this perspective, highlighting the limitations of the "imperialist" gallery model that prioritizes consolidation over cooperation.
Together, they've assembled a diverse lineup of artists, including Sylvia Snowden and Archie Rand, whose work often incorporates text, vibrant color, and comic-inspired imagery. The show provides a unique platform for these artists to share their vision with a broader audience.
The key to success lies in sharing everything equally, from costs to decisions around artist selection. Werner emphasizes the importance of equal decision-making, citing that if one person has a hard "no," it's beneficial for the project. This collaborative approach not only benefits the participating galleries but also fosters a sense of community and mutual respect.
As Jarvis notes, this model represents a return to an earlier spirit of art dealing, where colleagues worked together rather than competing against each other. The duo's collaboration serves as a catalyst for change in the art world, encouraging galleries to adopt more inclusive and collaborative practices.
Ultimately, "Eruption" is not just an exhibition but a statement about the future of the art world. By prioritizing sharing, equal decision-making, and community building, Jarvis and Werner are redefining the art world's values and paving the way for a new generation of galleries to thrive.
The collaboration is rooted in Jarvis' vision of an art world where dealers collaborate with each other rather than competing. Werner, who has a deep understanding of the European art market, shares this perspective, highlighting the limitations of the "imperialist" gallery model that prioritizes consolidation over cooperation.
Together, they've assembled a diverse lineup of artists, including Sylvia Snowden and Archie Rand, whose work often incorporates text, vibrant color, and comic-inspired imagery. The show provides a unique platform for these artists to share their vision with a broader audience.
The key to success lies in sharing everything equally, from costs to decisions around artist selection. Werner emphasizes the importance of equal decision-making, citing that if one person has a hard "no," it's beneficial for the project. This collaborative approach not only benefits the participating galleries but also fosters a sense of community and mutual respect.
As Jarvis notes, this model represents a return to an earlier spirit of art dealing, where colleagues worked together rather than competing against each other. The duo's collaboration serves as a catalyst for change in the art world, encouraging galleries to adopt more inclusive and collaborative practices.
Ultimately, "Eruption" is not just an exhibition but a statement about the future of the art world. By prioritizing sharing, equal decision-making, and community building, Jarvis and Werner are redefining the art world's values and paving the way for a new generation of galleries to thrive.