A new American Queen has emerged, but is it a strong contender for historical drama supremacy? This Brooklyn-based production from The American Vicarious tries to tackle the untold story of Kate Chase, the daughter of Salmon P. Chase, the Secretary of the Treasury under President Abraham Lincoln. The play raises intriguing questions about female power, ambition, and the psychological fallout of an emotionally distant father.
However, beneath its ambitious scope lies a script that struggles to weave its threads into a cohesive narrative. Thomas Klingenstein's writing often meanders into the weeds of the American Civil War, diluting the tension in the dense dialogue. The play's director, Christopher McElroen, fails to inject much wit or banter to lift the conversation, leaving Kate's intellect and political prowess confined to the confines of her domestic sphere.
The real showstopper is the complex relationship between Kate and John Hay, played by Tom Victor and Wallis Currie-Wood respectively. Their flirtatious sparring and underlying chemistry are expertly captured, bringing a spark of vulnerability to Kate that later ignites a firestorm of repressed emotions. Darrell Brockis brings a sense of gravitas as Salmon P. Chase, even if his accent occasionally falters.
Despite its strong performances, the play stumbles in its portrayal of real-world actions and motivations. The line between fiction and fact becomes increasingly blurred, leaving audiences uncertain about what truly drove this formidable woman. Ultimately, the production's biggest challenge lies in balancing Kate's fictional narrative with the harsh realities of her historical context.
However, beneath its ambitious scope lies a script that struggles to weave its threads into a cohesive narrative. Thomas Klingenstein's writing often meanders into the weeds of the American Civil War, diluting the tension in the dense dialogue. The play's director, Christopher McElroen, fails to inject much wit or banter to lift the conversation, leaving Kate's intellect and political prowess confined to the confines of her domestic sphere.
The real showstopper is the complex relationship between Kate and John Hay, played by Tom Victor and Wallis Currie-Wood respectively. Their flirtatious sparring and underlying chemistry are expertly captured, bringing a spark of vulnerability to Kate that later ignites a firestorm of repressed emotions. Darrell Brockis brings a sense of gravitas as Salmon P. Chase, even if his accent occasionally falters.
Despite its strong performances, the play stumbles in its portrayal of real-world actions and motivations. The line between fiction and fact becomes increasingly blurred, leaving audiences uncertain about what truly drove this formidable woman. Ultimately, the production's biggest challenge lies in balancing Kate's fictional narrative with the harsh realities of her historical context.