Alejandro Jodorowsky's life is a surreal, dreamlike odyssey that defies conventions of time and identity. The 96-year-old Chilean filmmaker, poet, and mystic has lived 100 lives, according to his own reckoning – each one a different embodiment of the artist he is today.
Born in Tocopilla, a small coastal town in northern Chile, Jodorowsky's childhood was marked by an insatiable curiosity and creativity. He began working behind the counter of his father's general store at just seven years old, later studying mime with Marcel Marceau in Paris. His 1967 debut feature film, Fando y Lis, sparked outrage when it premiered at the Acapulco film festival in Mexico, where a soldier allegedly threatened to kill him.
Jodorowsky has since become synonymous with countercultural excess and psychedelic exploration, directing cult classics like El Topo (1970) and The Holy Mountain (1973). His collaborations with artists like Moebius and designer Philippe Camoin have resulted in iconic works like The Incal, a sprawling space opera that influenced The Matrix and The Fifth Element.
Throughout his career, Jodorowsky has blurred the lines between actor, writer, poet, puppeteer, psychotherapist, and tarot-card reader. His artistic practice is rooted in "psychomagic," a therapeutic approach he developed, which combines elements of shamanism and Freudian theory.
In his latest project, Art Sin Fin (published by Taschen), Jodorowsky shares his life story through a two-volume monograph that doubles as an archive of counter-cultural weirdness. Alongside images and artwork curated with Donatien Grau of the Musée du Louvre, the book offers a deeply personal and unflinching look at Jodorowsky's life, from childhood to present day.
As his latest publication approaches release on February 6, Jodorowsky reflects on mortality, identity, and the search for meaning. He believes that people are "different people all the time" and that he has embodied many different versions of himself throughout his lives. With a mischievous grin, he says, "I'm ready to die and I will go with happiness, with a great orgasm."
For Jodorowsky, life is an endless adventure, a perpetual journey through the infinite present. As he approaches 97 years old, his art continues to push boundaries, challenging conventions of storytelling, creativity, and the human condition. Art Sin Fin serves as a testament to his boundless energy, unbridled imagination, and unwavering commitment to exploring the unknown.
Born in Tocopilla, a small coastal town in northern Chile, Jodorowsky's childhood was marked by an insatiable curiosity and creativity. He began working behind the counter of his father's general store at just seven years old, later studying mime with Marcel Marceau in Paris. His 1967 debut feature film, Fando y Lis, sparked outrage when it premiered at the Acapulco film festival in Mexico, where a soldier allegedly threatened to kill him.
Jodorowsky has since become synonymous with countercultural excess and psychedelic exploration, directing cult classics like El Topo (1970) and The Holy Mountain (1973). His collaborations with artists like Moebius and designer Philippe Camoin have resulted in iconic works like The Incal, a sprawling space opera that influenced The Matrix and The Fifth Element.
Throughout his career, Jodorowsky has blurred the lines between actor, writer, poet, puppeteer, psychotherapist, and tarot-card reader. His artistic practice is rooted in "psychomagic," a therapeutic approach he developed, which combines elements of shamanism and Freudian theory.
In his latest project, Art Sin Fin (published by Taschen), Jodorowsky shares his life story through a two-volume monograph that doubles as an archive of counter-cultural weirdness. Alongside images and artwork curated with Donatien Grau of the Musée du Louvre, the book offers a deeply personal and unflinching look at Jodorowsky's life, from childhood to present day.
As his latest publication approaches release on February 6, Jodorowsky reflects on mortality, identity, and the search for meaning. He believes that people are "different people all the time" and that he has embodied many different versions of himself throughout his lives. With a mischievous grin, he says, "I'm ready to die and I will go with happiness, with a great orgasm."
For Jodorowsky, life is an endless adventure, a perpetual journey through the infinite present. As he approaches 97 years old, his art continues to push boundaries, challenging conventions of storytelling, creativity, and the human condition. Art Sin Fin serves as a testament to his boundless energy, unbridled imagination, and unwavering commitment to exploring the unknown.