In recent years, crime and thriller novels have continued to captivate readers with their gripping storylines and well-developed characters. This roundup reviews four notable titles that have garnered attention for their intricate plots, memorable protagonists, and thought-provoking themes.
At the forefront of this quartet is Louise Welsh's "The Cut Up", a third outing for Rilke, a gay Glaswegian auctioneer. The novel delves into a complex web of violence and retribution as Rodney Manderson, an obnoxious jewelry dealer, is found stabbed to death outside an auction room in New York. As the investigation unfolds, Rilke becomes embroiled in the case, uncovering secrets from his past that threaten to upend everything he thought he knew.
David McCloskey's "The Persian" follows Kam Esfahani, a Jewish Iranian dentist living in Sweden. When he accepts an offer from the Mossad to help sown chaos and mayhem in Iran, he finds himself caught between loyalty and deception. As Kam navigates this treacherous landscape, his stories become increasingly intertwined with the truth – or so it seems.
Anna Maloney's "The 10:12" is a tense thriller about Claire Fitzroy, an art lecturer struggling to cope with marital issues on her way home from Manchester. When a group of angry passengers hijack the 10:12 train to Euston, Claire finds herself fighting for survival, and her actions spark controversy that lingers long after she thinks the ordeal is over.
Finally, there's Lauren Schott's "Very Slowly All At Once", a cautionary tale about living beyond one's means. For the Evans family – divorce attorney Hailey, lecturer Mack, and their two young daughters – financial woes have reached crisis point. When mysterious cheques arrive from an unknown sender, they seem like salvation, but the requests that come with them threaten to upend everything.
These four novels showcase a range of styles and themes, each offering something unique to the genre. They tackle topics such as violence, deception, survival, and financial desperation, raising questions about the consequences of our actions and the true cost of living life on our own terms.
At the forefront of this quartet is Louise Welsh's "The Cut Up", a third outing for Rilke, a gay Glaswegian auctioneer. The novel delves into a complex web of violence and retribution as Rodney Manderson, an obnoxious jewelry dealer, is found stabbed to death outside an auction room in New York. As the investigation unfolds, Rilke becomes embroiled in the case, uncovering secrets from his past that threaten to upend everything he thought he knew.
David McCloskey's "The Persian" follows Kam Esfahani, a Jewish Iranian dentist living in Sweden. When he accepts an offer from the Mossad to help sown chaos and mayhem in Iran, he finds himself caught between loyalty and deception. As Kam navigates this treacherous landscape, his stories become increasingly intertwined with the truth – or so it seems.
Anna Maloney's "The 10:12" is a tense thriller about Claire Fitzroy, an art lecturer struggling to cope with marital issues on her way home from Manchester. When a group of angry passengers hijack the 10:12 train to Euston, Claire finds herself fighting for survival, and her actions spark controversy that lingers long after she thinks the ordeal is over.
Finally, there's Lauren Schott's "Very Slowly All At Once", a cautionary tale about living beyond one's means. For the Evans family – divorce attorney Hailey, lecturer Mack, and their two young daughters – financial woes have reached crisis point. When mysterious cheques arrive from an unknown sender, they seem like salvation, but the requests that come with them threaten to upend everything.
These four novels showcase a range of styles and themes, each offering something unique to the genre. They tackle topics such as violence, deception, survival, and financial desperation, raising questions about the consequences of our actions and the true cost of living life on our own terms.