Alex Honnold's breathtaking climb up Taipei 101 in Netflix's Skyscraper Live has left many viewers shaken. The sheer magnitude of his feat is awe-inspiring – an unassisted ascent of the 508-meter building, with its three stages of increasing difficulty, was a masterclass in athleticism and bravery.
However, watching Honnold scale the towering structure for over an hour and a half felt more like a test of endurance than an entertainment. The prolonged exposure to tension made it difficult for viewers to focus, often finding themselves zoning out or checking their phones. It's as if taking a long-haul flight in turbulent weather without any turbulence – your mind struggles to sustain the stress.
The Taipei 101 skyscraper was chosen for its dramatic height and features, including overhangs and a near-vertical section at one point. Watching Honnold climb this treacherous terrain ignited panic among viewers, even those familiar with his past exploits like Free Solo. Standing upright on the summit sent a shiver down spines.
While admiration for Honnold's prowess is warranted, it raises questions about whether we should be watching events that risk human life as entertainment. The constant danger in Skyscraper Live was palpable, leaving viewers on edge throughout the broadcast. It felt like rubbernecking at an accident – mesmerized by the possibility of something going wrong.
The implications for television are profound if Netflix follows up with more live events that carry this level of risk. We could be headed towards a Victorian freak show format. With Skyscraper Live, the line between excitement and morbid curiosity was blurring fast.
Ultimately, my nerves are still twitching after watching the broadcast.
However, watching Honnold scale the towering structure for over an hour and a half felt more like a test of endurance than an entertainment. The prolonged exposure to tension made it difficult for viewers to focus, often finding themselves zoning out or checking their phones. It's as if taking a long-haul flight in turbulent weather without any turbulence – your mind struggles to sustain the stress.
The Taipei 101 skyscraper was chosen for its dramatic height and features, including overhangs and a near-vertical section at one point. Watching Honnold climb this treacherous terrain ignited panic among viewers, even those familiar with his past exploits like Free Solo. Standing upright on the summit sent a shiver down spines.
While admiration for Honnold's prowess is warranted, it raises questions about whether we should be watching events that risk human life as entertainment. The constant danger in Skyscraper Live was palpable, leaving viewers on edge throughout the broadcast. It felt like rubbernecking at an accident – mesmerized by the possibility of something going wrong.
The implications for television are profound if Netflix follows up with more live events that carry this level of risk. We could be headed towards a Victorian freak show format. With Skyscraper Live, the line between excitement and morbid curiosity was blurring fast.
Ultimately, my nerves are still twitching after watching the broadcast.