Fremantle's abandoned hotel has become a vibrant arts space for just two weeks. The building, with its stunning stained-glass windows and dark timber mouldings, was once a magnet for sailors and wharfies but fell into disrepair after decades of abandonment. Now, it is bursting with creativity as over 40 artists occupy the upper floor to create immersive performances and installations.
Musician Danielle Caruana AKA Mama Kin co-curated Room Service with Tom Mùller. The duo has taken the hotel's historic rooms to explore themes of loneliness, complicity and place. In one room, musician Iain Grandage and cellist Mel Robinson set up a cello duet inspired by 19th-century sailor songs. Meanwhile, Whadjuk Balladong and Wilman Noongar artist Zali Morgan painted watercolours in response to the hotel's colonial past.
Artist Guy Louden has turned his room into a dystopian climate game called Wet End, while architect Nic Brunsdon created a serene space using natural materials to imagine pre-colonial Fremantle. The installations showcase the power of art to transform abandoned spaces and ignite new creative possibilities.
For Mama Kin, Room Service highlights the importance of inviting artists into empty spaces. "Empty spaces are a vacuum," she says. "They create these kind of gaps in continuity. They create gaps in an experience of connectivity." By occupying the hotel's vacant rooms, artists can fill those gaps and create meaningful experiences for visitors.
Room Service takes place from November 29-30 at P&O hotel, 25 High Street, Fremantle, as part of the Fremantle Biennale.
Musician Danielle Caruana AKA Mama Kin co-curated Room Service with Tom Mùller. The duo has taken the hotel's historic rooms to explore themes of loneliness, complicity and place. In one room, musician Iain Grandage and cellist Mel Robinson set up a cello duet inspired by 19th-century sailor songs. Meanwhile, Whadjuk Balladong and Wilman Noongar artist Zali Morgan painted watercolours in response to the hotel's colonial past.
Artist Guy Louden has turned his room into a dystopian climate game called Wet End, while architect Nic Brunsdon created a serene space using natural materials to imagine pre-colonial Fremantle. The installations showcase the power of art to transform abandoned spaces and ignite new creative possibilities.
For Mama Kin, Room Service highlights the importance of inviting artists into empty spaces. "Empty spaces are a vacuum," she says. "They create these kind of gaps in continuity. They create gaps in an experience of connectivity." By occupying the hotel's vacant rooms, artists can fill those gaps and create meaningful experiences for visitors.
Room Service takes place from November 29-30 at P&O hotel, 25 High Street, Fremantle, as part of the Fremantle Biennale.