1-54 Marrakech Turned a Boutique Fair into a Citywide Moment

The article discusses the 2025 edition of the art fair 1-54, which took place in Marrakech, Morocco. The fair is a biennial event that showcases contemporary African art, and it has become one of the most important platforms for African artists to showcase their work.

The fair was curated by Sarah Lea, who stated that she aims to create an environment where artists can push boundaries and challenge the status quo. This year's edition featured over 80 galleries from across Africa, Europe, North America, and Asia, showcasing a wide range of artworks in various mediums.

One of the standout features of the fair was the diversity of the artworks on display. The selection included works by established and emerging artists, as well as solo exhibitions and group shows. Many of the works on display addressed themes such as identity, politics, and social justice, reflecting the complexity of contemporary African life.

The fair also featured a number of interactive installations, including a mosaic artwork titled "Ce que je suis, ce que nous sommes" by M'barek Bouhchichi. The installation was created using rubber and depicted a group of figures standing together against a yellow background, symbolizing unity and solidarity.

El Glaoui, the founder of 1-54, expressed her excitement about the fair's growth and popularity. She stated that the event has become an important platform for African artists to showcase their work and connect with global art audiences. However, she also acknowledged the challenges faced by many African countries due to economic and social constraints.

The fair was attended by a large number of visitors from across Africa, Europe, and Asia. Many collectors and art enthusiasts made it a point to attend both 1-54 in Marrakech and another major art fair in Doha, Qatar.

Overall, the 2025 edition of 1-54 was a success, showcasing a diverse range of artworks that reflected the complexity and richness of contemporary African culture. The fair's growth and popularity are a testament to its importance as a platform for African artists and collectors alike.
 
๐Ÿค” This year's 1-54 art fair in Marrakech is like a breath of fresh air, showcasing all these amazing talents from across Africa ๐ŸŒ๏ธ๐Ÿ’ช. I mean, who wouldn't want to see a mosaic artwork that represents unity and solidarity? It's like M'barek Bouhchichi took all our hopes and dreams about coming together as one and turned them into something tangible ๐Ÿ’•.

And can we talk about the diversity of artworks on display? ๐Ÿคฏ I saw pieces from artists who were still figuring out their style, to those who had been around for ages. It's like they're all trying to find their place in the art world, you know? ๐ŸŒŽ

I love how El Glaoui is acknowledging the challenges that African countries face, though. It's not all rainbows and unicorns over there ๐Ÿ˜”. But hey, at least 1-54 is giving those artists a platform to showcase their work, which is no easy feat ๐Ÿ™.

All in all, I think this year's fair was a huge success ๐Ÿ’ฅ. Can't wait to see what next year brings!
 
I love how 1-54 has become this amazing platform for Africans to showcase their art ๐ŸŒŸ๐ŸŽจ. It's so cool to see all these talented artists from across the continent pushing boundaries and challenging norms. The diversity of artworks on display was truly inspiring, and I'm sure it gave everyone attending a unique perspective on African culture ๐Ÿ’ก.

What really caught my eye was that mosaic artwork by M'barek Bouhchichi - "Ce que je suis, ce que nous sommes" ๐Ÿค๐ŸŒˆ. It's such a powerful message of unity and solidarity, and I love how it's become this interactive installation that everyone can engage with. It's amazing to think about all the people who came together to create something so beautiful and meaningful.

It's also fantastic to see collectors and art enthusiasts traveling between Marrakech and Doha just to experience 1-54 ๐Ÿ—บ๏ธ๐ŸŽญ. I mean, it's not always easy for Africans to get their work seen globally, so this fair is a total game-changer. Let's keep celebrating and supporting our amazing African artists! ๐Ÿ’ช
 
๐ŸŽจ๐Ÿ‘ just saw the recap on 1-54 art fair in Marrakech ๐Ÿฐ - it's amazing to see how much diversity and creativity they got this year ๐Ÿคฏ! I love that they had interactive installations like M'barek Bouhchichi's mosaic artwork, it's not just about looking at art, but also feeling it ๐Ÿ’–. The fact that they have a platform for emerging artists to showcase their work is super inspiring too ๐ŸŒŸ. And it's awesome that collectors and art enthusiasts are willing to travel for the event ๐Ÿ—บ๏ธ. I think 1-54 is doing an amazing job of highlighting African art on the global stage ๐Ÿ’ช.
 
You know what's crazy? This art fair in Marrakech is like a microcosm of global politics, right? I mean, Sarah Lea wants to create an environment where artists can push boundaries, but that sounds suspiciously like the kind of thing politicians do when they're trying to shake things up. And let's be real, the fact that African countries are still struggling with economic and social constraints is a major elephant in the room โ€“ or should I say, a major red flag?

And have you seen the diversity of artworks on display? It's like they're saying, "Hey, look at us, we're not just one-dimensional, we're complex!" But is that really what this fair is all about? Is it just a way for African artists to prove themselves to global audiences, or is it something more meaningful?

And what's up with El Glaoui's comments? She's excited about the fair's growth, but she's also acknowledging the challenges faced by many African countries. It sounds like she's trying to spin this as a success story, but what about the underlying issues that need to be addressed?

I think we're missing the point here. This art fair is just a symptom of a larger problem โ€“ the global art market is still super Eurocentric and elitist, and it's only now that African artists are getting recognition. It's not just about celebrating diversity; it's about challenging the status quo and making sure everyone has access to the same opportunities.

So yeah, 1-54 was a success, but let's not get too caught up in the hype โ€“ there's still so much work to be done!
 
๐ŸŽจ I'm loving how 1-54 Marrakech is pushing boundaries with its art curation, showcasing some super talented African artists! ๐ŸŒ It's awesome that they're creating an environment where artists can express themselves freely and challenge the status quo. ๐Ÿ’ฌ The diversity of artworks on display was incredible, from identity to politics to social justice โ€“ it's like a mirror held up to our world today ๐Ÿ˜Š. And those interactive installations? Mind-blowing! ๐Ÿคฏ I'd love to see more events like this in different parts of the continent ๐ŸŒด
 
man... i was at 1-54 last year and it was crazy ๐Ÿคฏ! but seriously, i think it's amazing how far the event has come since its first edition. they're doing such a great job of showcasing african art to a global audience ๐ŸŒŽ. i loved seeing so many different mediums and styles on display - from painting to sculpture to installation art... and the diversity of artists represented was incredible ๐Ÿ™Œ. what really stood out for me, though, was how many works addressed themes of identity, politics, and social justice ๐Ÿค. it's so important that we're having these conversations in the art world, you know? ๐Ÿ’ฌ
 
Yooo, just saw the pics from 1-54 Marrakech ๐Ÿ“ธ๐ŸŽจ I'm lovin' the vibes of this year's edition! They got so many talented artists repin' Africa on the global stage ๐ŸŒ It's dope to see how they're pushin' boundaries and challengin' the status quo ๐Ÿ’ช Sarah Lea did a killer job curatin' the fair, and it's clear that El Glaoui is doin' somethin' right ๐Ÿ‘ The mosaic installation was straight fire ๐Ÿ”ฅ and I love how they included interactive elements ๐Ÿคฏ It's not just about the art, it's about buildin' bridges between cultures and communities ๐Ÿ’•
 
๐Ÿค• another art fair, another chance for rich ppl to buy old paintings and pretend they care about african cultures... ๐Ÿ˜’

marrakech is already overcrowded and expensive, now we gotta deal with all those tourists and art snobs... ๐Ÿšซ what's the point of 1-54 if it just contributes to the already gentrifying marrakech scene? ๐Ÿคทโ€โ™‚๏ธ

and what about the economic constraints El Glaoui mentioned? how many african artists are actually making a living from their own work, or getting paid decently for their art? ๐Ÿค‘ the answer is probably not many... ๐Ÿ˜”
 
omg, finally an art fair that's actually worth attending ๐Ÿคฏ Marrakech is so done with all these tourists coming in like they're just going to shop 'til they drop or whatever... I mean, I get it, 1-54 is a big deal for African artists and all, but can we pls not forget about the actual art on display? ๐Ÿค” I swear, some of those installations were straight outta a hipster's fever dream ๐ŸŒฟ๐Ÿ’€ like what even is the point of interactive art? ๐Ÿ™„
 
You know what really got me thinking about this art fair? It just goes to show how globalized we're getting, right? I mean, galleries from Africa, Europe, North America, and Asia all coming together to showcase art... it's like the world is one big studio ๐ŸŒŽ. But at the same time, you can't help but think about the economic constraints that many African countries face. El Glaoui mentioned it, but how much of a difference does the fair really make? Is it just a platform for artists to get their work seen, or is there actual support and resources being provided to help them succeed?

And let's not forget about the role of collectors like those who attend both 1-54 in Marrakech and Doha. Are they really supporting local artists, or are they just buying art as a status symbol? It's a complex issue, for sure ๐Ÿค”. But one thing's for sure - this fair is definitely a success story for African art on the global stage.
 
๐ŸŒ„ thinkin about this art fair in marakech, it got me thinkin how we all need spaces where we can be our authentic selves and challenge the norms that hold us back, you know? like sarah lea said, creatin an environment for artists to push boundaries is key. it's like, we gotta celebrate our differences and use 'em as a strength, not somethin we hide or be ashamed of ๐ŸŒˆ

and yeah, the diversity of artworks on display was super impressive, showin us that there's so much more to african culture than what we see in the news ๐Ÿ“ฐ. but at the same time, it's like, we can't ignore the challenges facin many african countries - economic and social constraints are real ๐Ÿค•.

anyway, it just goes to show that art has the power to bring people together and create change ๐Ÿ’ก. let's keep supportin our local artists and creatives, 'cause they're the ones who'll help us build a more just and inclusive world ๐ŸŒŽ๐Ÿ’–
 
๐Ÿค” I remember when art fairs were just about showin' off fancy paintings in some posh gallery... now, 1-54 is all about diversity & representation ๐ŸŒŽ! It's awesome to see all those galleries from across Africa, Europe, and Asia comin' together to showcase the best of contemporary African art ๐ŸŽจ. I mean, it's not just about the art itself, but also about the stories behind 'em ๐Ÿ‘ฅ. And that interactive installation with the mosaic artwork? Mind blown! ๐Ÿ˜ฎ It's like you can feel the unity & solidarity among those figures standin' together ๐Ÿ’ช. El Glaoui must be doin' somethin' right, huh? ๐Ÿค The fact that collectors and art enthusiasts are makin' it a point to attend both 1-54 in Marrakech and Doha just goes to show how much the fair means to people around the world ๐ŸŒŸ. I'm all for creatin' spaces where artists can push boundaries & challenge the status quo ๐Ÿ’ฅ!
 
idk why ppl make such a big deal about art fairs lol ๐Ÿคทโ€โ™‚๏ธ but i guess 1-54 is like the OG for african art right? it's cool that they got artists from all over the world showing their work, but at the same time it feels like a bit of a luxury problem if u ask me... lots of rich ppl with money to burn on art ๐Ÿค‘ and not many ppl from smaller african countries gettin recognition. shouldn't there be more diversity in terms of geography and economic background?
 
๐ŸŽ‰ OMG I'm so stoked about this! 1-54 is literally the best platform for African art to shine on the global stage ๐ŸŒŸ! The fact that Sarah Lea curated an event where artists can push boundaries and challenge the status quo is just amazing ๐Ÿ’ฅ. And I love how diverse the artworks were - it's like a true reflection of our complex world today ๐ŸŒŽ. The interactive installations were so cool too, especially that mosaic artwork by M'barek Bouhchichi! It's all about unity and solidarity, you know? ๐Ÿ’• El Glaoui is doing an incredible job with this fair, and I'm so grateful for her passion and dedication to African art ๐Ÿ™. Can't wait to see what the future holds for 1-54! ๐Ÿคฉ
 
๐Ÿค” what's up with 1-54 always happening in Marrakech? is it coz of the vibes or something else ๐ŸŒ… anyway, saw some crazy artworks there, love how they're pushing boundaries tho... that mosaic piece by M'barek Bouhchichi was ๐Ÿ’ฅ mind-blowing! ๐Ÿ‘€ but, u know, also feel bad for African artists who have to deal with economic & social constraints ๐Ÿค• hope 1-54 is helpin them out more than just showcasin their art ๐ŸŽจ๐Ÿ‘
 
๐ŸŽจ I'm loving how the art scene is evolving, especially with 1-54 becoming this major platform for African artists! It's dope to see all these talented creatives pushing boundaries and challenging norms. ๐Ÿคฏ The diversity of artworks on display was insane - from identity to social justice, it's like they're giving us a masterclass in contemporary African life.

But at the same time, I gotta wonder about the economic constraints that some African countries are facing... it's no secret that art is a luxury many can't afford. ๐Ÿค‘ Still, 1-54 seems to be doing its part by providing opportunities for artists to showcase their work and connect with global audiences.

And have you seen those interactive installations? Mind. Blown. M'barek Bouhchichi's mosaic artwork was, like, so thought-provoking! ๐Ÿ’ก It's awesome that El Glaoui is keeping the momentum going - it's clear 1-54 is more than just an art fair, it's a movement. ๐ŸŒŸ
 
๐Ÿคฉ just got back from 1-54 Marrakech ๐Ÿ“๐ŸŽจ and I'm still reeling from the amazing energy โœจ! The diversity of artworks on display was mind-blowing ๐Ÿคฏ, so many talented artists showcasing their work ๐Ÿ’ช. From identity to social justice, these pieces were tackling real issues ๐Ÿ”ฅ. And those interactive installations? Wow! ๐Ÿค Like that "Ce que je suis, ce que nous sommes" installation - so powerful and thought-provoking ๐Ÿ™Œ. Can't wait for the next edition! ๐ŸŽ‰๐Ÿ‘
 
๐ŸŽจ what's up with all these art fairs? they're just making it easier for people to ignore the real issues facing africa ๐Ÿค” Marrakech is such a cool city though, I went there last year and the food was insane ๐Ÿด but seriously, 80+ galleries from across africa, europe and asia? that's some serious representation ๐Ÿ™Œ and i love how they're featuring interactive installations like that mosaic artwork... it's like you can feel the unity and solidarity vibes ๐Ÿ’•
 
๐Ÿค” so like i just got back from my vacation in japan and OMG the food was insane ๐Ÿœ๐Ÿ‘Œ i mean have you tried these new ramen shops that popped up everywhere? anyway, 1-54 art fair... yeah i saw some cool pics online ๐Ÿ“ธ they had this mosaic artwork thingy that was so neat ๐Ÿคฉ and it was all about unity and solidarity, which is like really important right now ๐ŸŒŽ but what's up with the economic stuff El Glaoui talked about? i mean like, aren't there any African art fairs in, like, africa itself? lol just wondering
 
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