The article discusses the 2025 edition of the art fair 1-54, which took place in Marrakech, Morocco. The fair is a biennial event that showcases contemporary African art, and it has become one of the most important platforms for African artists to showcase their work.
The fair was curated by Sarah Lea, who stated that she aims to create an environment where artists can push boundaries and challenge the status quo. This year's edition featured over 80 galleries from across Africa, Europe, North America, and Asia, showcasing a wide range of artworks in various mediums.
One of the standout features of the fair was the diversity of the artworks on display. The selection included works by established and emerging artists, as well as solo exhibitions and group shows. Many of the works on display addressed themes such as identity, politics, and social justice, reflecting the complexity of contemporary African life.
The fair also featured a number of interactive installations, including a mosaic artwork titled "Ce que je suis, ce que nous sommes" by M'barek Bouhchichi. The installation was created using rubber and depicted a group of figures standing together against a yellow background, symbolizing unity and solidarity.
El Glaoui, the founder of 1-54, expressed her excitement about the fair's growth and popularity. She stated that the event has become an important platform for African artists to showcase their work and connect with global art audiences. However, she also acknowledged the challenges faced by many African countries due to economic and social constraints.
The fair was attended by a large number of visitors from across Africa, Europe, and Asia. Many collectors and art enthusiasts made it a point to attend both 1-54 in Marrakech and another major art fair in Doha, Qatar.
Overall, the 2025 edition of 1-54 was a success, showcasing a diverse range of artworks that reflected the complexity and richness of contemporary African culture. The fair's growth and popularity are a testament to its importance as a platform for African artists and collectors alike.
The fair was curated by Sarah Lea, who stated that she aims to create an environment where artists can push boundaries and challenge the status quo. This year's edition featured over 80 galleries from across Africa, Europe, North America, and Asia, showcasing a wide range of artworks in various mediums.
One of the standout features of the fair was the diversity of the artworks on display. The selection included works by established and emerging artists, as well as solo exhibitions and group shows. Many of the works on display addressed themes such as identity, politics, and social justice, reflecting the complexity of contemporary African life.
The fair also featured a number of interactive installations, including a mosaic artwork titled "Ce que je suis, ce que nous sommes" by M'barek Bouhchichi. The installation was created using rubber and depicted a group of figures standing together against a yellow background, symbolizing unity and solidarity.
El Glaoui, the founder of 1-54, expressed her excitement about the fair's growth and popularity. She stated that the event has become an important platform for African artists to showcase their work and connect with global art audiences. However, she also acknowledged the challenges faced by many African countries due to economic and social constraints.
The fair was attended by a large number of visitors from across Africa, Europe, and Asia. Many collectors and art enthusiasts made it a point to attend both 1-54 in Marrakech and another major art fair in Doha, Qatar.
Overall, the 2025 edition of 1-54 was a success, showcasing a diverse range of artworks that reflected the complexity and richness of contemporary African culture. The fair's growth and popularity are a testament to its importance as a platform for African artists and collectors alike.